In this interview, we dive into the creative process behind Black Pestilence's latest album, Chaotic Wisdom, exploring their unique blend of black metal, punk rock, and noise.
1.
Congratulations on the release of Chaotic Wisdom! Could you tell us about the
creative process behind the album and how it differs from your previous works?
"Chaotic
Wisdom” is Satanic d-beat. The music is formulated around typical punk rock
song structures, while being projected through the playing style of black
metal. Greater emphasis was placed on the samples used on this album in the
form of additional percussion and cacophonous electronics. Many of the song
lyrics touch base on various themes related to Satanic philosophy, societal
stratification, and general debauchery. The greatest difference between this
album and previous works is the total length. This is the shortest album to
date with just under 25 minutes in run time. We focused on recording only the
best songs written for this release.
2.
You’ve been known for blending black metal, punk rock, and noise into a unique
sound. How do you go about balancing these genres while maintaining a cohesive
identity as a band?
It’s a
balancing act. As I write music for this band, I always think of the primary
elements that stick out for each genre and make sure they are present at some
point within the song. For example, catchy choruses, d-beat drums, walking bass
lines, and gang vocals will represent punk. Black metal is represented by
tremolo guitars and high pitched harsh vocals. Finally, elements of noise are
added throughout in the form of electronic programmed samples. Some songs will
emphasize more elements of one genre over another, but as long as it is
consistent to some degree, the band will be able to evolve sonically and
visually over time.
3. Black
Pestilence started as a one-man project but has since evolved into a powerful
three-piece. How has this change impacted the band's dynamic and sound?
Evolving
into a full band has definitely been a positive aspect. When I write, I present
the music to the other members and then we rehearse it before going into the
studio to record. This helps work out anything that may not fit properly, right
from the start. Of course, it’s also nice to have a second opinion on
everything as well. Their input has been a huge help in moving forward with the
band musically and visually. Both of them put their own unique twist on the
music during recording and live scenarios, which has helped shape Black
Pestilence to what it is today.
4. The
album’s title, Chaotic Wisdom, is intriguing. What’s the meaning behind it, and
how does it reflect the themes or messages you explore in the music?
“Chaotic
Wisdom” is the culmination of everything that has influenced the band to date.
It feels a lot like organized chaos at times, especially navigating within the
unknown. At the end of the day, it’s the knowledge gained through experience
that represents undefiled wisdom.
5. Your
live performances are renowned for their raw energy and intensity. How do you
capture that same energy when recording in the studio?
Ironically
enough, our recording sessions in the studio are the complete opposite from
what you would see or hear on stage. We are relaxed and calculated in our
recording sessions. It’s like a switch in your brain, you just need to turn it
on when required, no matter the situation.
6. With
seven albums and two EPs in your discography, how do you continue to push the
boundaries and innovate with each new release?
The most
important thing is to listen to different styles of music. I always try to
incorporate an element of a different genre with each release. Sometimes when I
listen to a song, I’ll make a note of what that particular song does
differently and make sure I try something similar to that in the next song I
write. Of course, it’s still very much a challenge to continue to innovate and
write music that fits into our niche. I think every artist can relate to this
dilemma.
7. The
global music scene has embraced Black Pestilence, from your tours across Canada
and Europe to your international fan base. How has your music been received in
different parts of the world, and what’s been your most memorable experience so
far?
Overall,
the response has been mostly positive. There will always be people who won’t
understand the mixture of black metal and punk rock or why we wear leather
masks. I think people get a better impression of the band after seeing a live
performance, as that is the true Black Pestilence experience. We’ve had many
experiences on the road over the years. One of the most unique experiences that
first comes to mind were the few times we played at Kontejnr in Postojna,
Slovenia. The hospitality from the promoters and enthusiasm from the fans were
incomparable to anything else. They represent the true underground.
8. In a
world where metal often tackles darker themes, what role do you think music
plays in addressing societal issues or creating awareness? How does Chaotic
Wisdom fit into that dialogue?
Particularity
with metal music, I think as a genre it is not afraid to comment on difficult
or taboo subjects. “Chaotic Wisdom” has a number of songs on the album speaking
on topics such a social stratification and societal division. “Chaotic Wisdom”
fits into this dialogue by emphasizing that one should not be swayed so easily
by the masses or by the opposing side. Despite all the influences in this world
there is always a third side. All factions have their own agendas and people
they aim to please.
9.
Valax, as the band’s founder, how do you keep evolving both as a musician and a
person, while still maintaining the core identity of Black Pestilence?
In regards
to being a musician, I am always looking for new music to listen to. I even
force myself to listen to music that I don’t like, just to see if I can find
something different to take inspiration from. When I have the time, I will
write music of different genres that I have no intention of releasing or even
showing to others. This helps me stay in the zone and stay efficient with
writing. I also play bass for live and recording sessions when people require
it. Although session work is not as in demand as it once was before, I still
occasionally get called up for something here and there. Almost always it’s for
bass work on non-metal genres which I very much enjoy. In regards to me
maintaining the core identity for Black Pestilence, this is something I think
about often. It’s interesting running a masked band. At first, the theme of
mystery was intriguing and entertaining for people. Now, I think it’s time to
pull back the mask and show what the reality is behind the curtain. I don't
think I will ever lose the mask as it has taken a life of its own within the
band, but it’s also time to show more than that. At the end of the day, Black
Pestilence is truly a representation of my life and who I am as a person, with
or without the mask.
10. What
can fans expect next from Black Pestilence? Any upcoming tours, projects, or
surprises in store?
New music
and more tours are in the works. Stay tuned!
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