Explore
the evolution of brutal death metal band Mutilagia with their latest album,
'Cannibalistic Metamorphosis.' Discover their sound, influences, and
creative journey.
1. Congratulations
on your upcoming album, "Cannibalistic Metamorphosis"! How does this
album differ from your previous works, both musically and thematically?
Thank you!
We think that musically speaking, it is more complex because the addition of a
new guitarist lets us experiment with more variety of melodies and riffs. Also,
we took more time to compose the songs and try that technical death metal part
we like without leaving the slam riffs. Thematically, there are no many changes
because we always play with the typical elements of slamming metal bands such
as Kraanium, Devourment and Visceral Disgorge as regards the covers and lyrical
content.
2. Adding
a new guitarist is a significant change for the band. How has this influenced
your sound and songwriting process for the new album?
Of course,
adding a new guitarist is like a positive challenge. It allows us to leave our
comfort zone and as we said, try new extreme riffs and diversify our songs
because they can play different melodies at the same time and we have a new
composer to help us with the songwriting process.
3. "Confesiones
de un PsicĂłpata" and "Non-Human Atrocities" both have intense
themes. Can you tell us about the inspiration behind the lyrical content of
your music?
We think
that extreme music must have extreme or intense themes and it is all part of
the genre we play. Basically, the inspiration comes from other bands, movies,
some reading too and humanity itself.
4. You've
mentioned playing live shows in Argentina and Chile. How does the experience of
performing live compare to recording in the studio for you?
Performing
live and recording in the studio are two different things. We always like
performing live because we feel the people's energy and we also make new
friends. Sometimes it is comforting to receive positive feedback because you
are doing something you love and it is nice to be recognized for that.
Studio
recording is also a very positive experience because it allows to correct our
sound and think of something different from the previous record and of course,
share a good time between us.
5. Santa
Cruz, Argentina, isn't often associated with brutal death metal. How has your
local scene influenced your music and the band's identity?
We can
proudly say that we are the first slamming brutal death metal band in our city
and one of the first ones in our area. The local scene has influenced us
positively because it is where we have grown and we have listened to great
bands and musicians here. Argentinian Patagonia is recognized for having
extreme metal bands.
6. With
the release of your third album, how do you see Mutilagia evolving as a band?
Are there any new elements you're exploring or experimenting with?
We think
that we have gone a long way (almost ten years) and we are always trying to
experiment with new things. For example, on this album we had the pleasure to
collaborate with Mats from Kraanium and we will also have more guests.
Moreover, we try to change the sound of the album, trying a new guitar
distortion or drum sound for instance. Finally we always listen to new bands
and their albums and try to get something from both musically and the sound.
7. Your
band name, Mutilagia, suggests a fusion of mutilation and magic. Can you
elaborate on the meaning behind the name and its connection to your music?
To be
honest, it is a combination between "MutilaciĂłn" (Mutilation) and
"Orgia" (orgy). Of course, it is quite controversial as any slamming
brutal death metal band and it reflects the lyrical content of our band.
8. How
do you balance the extreme nature of your music with accessibility for
listeners who may not be familiar with the genre?
It is quite
difficult for people who do not listen to metal to understand what we do.
Probably it is even difficult for people who listen to softer genres such as
heavy metal or power metal but we like the genre that we do and we try to add
different things for all the listeners. Of course, without leaving the
brutality aside.
9. What
challenges have you faced as a band, and how have you overcome them, especially
considering the unique circumstances of the global pandemic?
We had to
change some musicians, this is our fifth bass player and our second guitar
player. Also, we had to decline many performances in other parts of our country
due to economical problems because the general situation here is quite
difficult. As regards the global pandemic, we tried to stay active by
participating in some online festivals and luckily it helped us a lot!
10. Lastly,
what message or emotion do you hope listeners take away from your music,
particularly from "Cannibalistic Metamorphosis"?
Probably
not a message, we don't play that kind of music. We just want people to enjoy
our brutal music and get violent!
Shocker emerged from shared passions, blending diverse influences into their
unique heavy metal sound. Horror aficionados, their music offers
unexpected twists.
1. Can
you share more about the origin story of Shocker and how the band came
together?
Around 2008
Danny Copperire (which I met a few years earlier in a metalclub called ‘The
Stage’ in Tielt) and I decided to start a band. Due to not finding the right
musicians this so called project did not happen. In 2016 I went to see a
coverband called ‘Back to Back’ near the area of Kortrijk. Danny was the
bass player of that band and David the guitar player.
After a few
beers the conversation about starting a band came up again. Also David was
very interested so he joined our ranks. It still took us 2 years before the
band ‘Shocker’ was brought to life.
As we were
in search for a 2nd guitar player we came in touch with Chris (ex- Phoenix
Rebellion). He really blew our minds when auditioned with us. He could play
keyboard too so that was a plus! Louis (Eyes Of Stone) joined our band after we
saw him play live with the band ‘Enchantress’. Once again we were blown away.
He really liked our music so the next logical thing was for him to join our
ranks. With them on our side we created the unique ‘Shocker’ sound
which I am very proud of.
2. What
inspired the name "Shocker" for your band?
Some of us
including myself are big horror fans, especially the 80’s ones. That’s how we
came up with the bandname Shocker. A movie from Wes Craven. It’s not our most
favourite movie but a descent one. We very much like the name haha. A few all
time favourites of mine are ‘Slaughter high’, ‘Toxic avenger’, ‘Nightbreed’,
‘The Mouth Of Madness’, ‘Neon Maniacs’, ‘From Beyond’, ‘The Keep’, ‘Evil Dead’,
….
3. How
would you describe the musical style and influences of Shocker?
Our basic
sound is Heavy Metal. Because it’s a genre we all love. Especially David, Danny
and myself. But also Louis and Chris like it too. I personally love US metal
bands like ‘Sanctuary’, ‘Lizzy Borden’, ‘Leatherwolf’, ‘Vicious Rumours’,
‘Fates Warning’,…to name a few as Danny also loves the more heavier and darker
bands like the old ‘Amorphis’ or ‘Holy Terror’,… David is a huge fan of
‘Nevermore’ and ‘Opeth’, Chris loves old school psychedelic progressive bands
as wel as other genres and Louis likes modern as wel as old school bands. This
combination is wat makes the ‘Shocker’ sound unique and these previously
mentioned bands definitely influenced us.
4. Could
you talk about the creative process within the band when writing and composing
music?
We want to
make music and combine the different styles we all love. The way we work
is that David, Chris or Danny come up with a riff or a bass line, then Louis
fits in with a pounding drumpiece and I finish with a fitting melodic vocal
line. That’s the way Shocker works.We don’t want to make commercial music, we
just want to make music that feels good to us without imposing any
limits. We like to think outside the box but don’t have any prescribed way
to work. Each member of the band has a different background and loves different
kinds of music so that’s where the magic comes from and how a new song is born.
If you listen very carefully, like, if you take your time to really explore our
songs you will hear those differences.
5. What
challenges did you face in finding the right lineup for the band, and how did
you overcome them?
The hardest
challenge was finding our own sound with a perfect blend of different
styles in each song. We want a song to be a journey, interesting and perfectly
balanced so that the listeners can dive deeper into the sound of ‘Shocker’.
With the current line-up we have found our own sound wich I am very proud of.
When we rehearse there is a special vibe hanging and when in the making of a
new song we complement each other like i have never experienced in any other
band.
It’s true
we had a couple of line-up changes in the past. Some ex-members played in other
bands too so it was not easy to combine those bands so evidentially they quit.
For other members their heart was at home so they also stopped. But each member
that played with us has a place in our hearts and we want to thank them for
helping create the basic sound of Shocker and for all the good times!
6. What
sets Shocker apart from other bands in the music scene?
We play
heavy metal with a twist. Expect the unexpected and that is where our strength
lies I think. So give us a try.
7. Can
you tell us about your experience recording your first EP and the reception it
received?
The first
ep was recorded in 2021 by Kristof at the closed session studio in Roeselare
during covid. We didn’t get the chance to promote it at its full potential
because of corona. But we are very proud of what we recorded at that time. It
went very smooth actually. Now with the new album ‘FVOTM’ we are making up for
the losses in the past with a lot of gigs heading our way.
8. How
has the addition of Louis Genovese as the drummer impacted the band's sound and
dynamics?
Louis is an
awesome young drummer. He really fits the band and has become a good friend.
He’s a quick learner and the overall sound has definitely changed with him
joining the band. He has a lot of idea’s when it comes to making new songs. I
couldn’t imagine the band without him. Every single member has its own
contribution when making new songs and this combination is what makes a Shocker
song complete.
9. What
themes or messages can listeners expect from your upcoming full album?
My lyrics
can be dark and personal but also fictional. I try to set a positive undertone
when writing the lyrics, creating some kind of a silver lining in between. When
writing the lyrics I try to create a song which can be interpreted in different
ways. My lyrics are not black&white or as easy as they come but more deep
and thought of without being to difficult to read or understand. I occasionally
like to write about a horror movie too but I guess you already knew that,
hahaha.
10. What
was the most memorable moment during the recording or production of your
upcoming album?
The
satisfaction of hearing the result of our hard work! The album was
recorded by Pieter Nyckees @ Shellshock studios in Brugge. To be
honest the recordings went smooth and we want to thank Pieter for guiding us
throughout this process. He did an amazing job! The mastering was once again
done by Jerboa Mastering. He did a great job with the EP so it was obvious to
us that we would ask him again for the full album.
11. How
do you see Shocker evolving musically in the future?
We will
just keep on doing what we do and we all have a lot of new ideas up our sleeves
when it comes to making new songs. In fact we are now in the making of new
Shocker Classics!
12. Are
there any upcoming gigs or tours that fans can look forward to?
The 16th of
June we play with the mighty Vicious Rumours in The Verlichte Geest
and on the 14th of october we play at the legendary ‘Mario’s
Metal Meeting in Tilburg. And there’s more coming up in the future! Check our
social media for more info. And in the meantime we are making new songs for the
upcoming album so we are very excited.
Last
words:
First of
all thank you Redouane/Lelahel for taking time putting together this interview!
You Rock!
I also want
to say thank you to all of our fans and everyone who took the time reading
this interview. You make all of this possible!!
If you
haven’t heard our new album ‘Fractured Visions Of The Mind’ yet, be sure to
check it out. We have it on cd and limited vinyl only 100 pieces! Available
through us. You can find us on facebook, Instagram, youtube and spotify. I
surely hope to see you all at a gig somewhere in the future. You all
Shock!
Dive
into the world of Pete Asshill as they share tales of camaraderie, musical
inspirations, and the creation of their hauntingly powerful rock single 'Stay'.
1. Who
are the members of Pete Asshill and how did you all come together to form the
band? A. Pete Asshill is
a group of 4 visionary friends sharing common interest in Rock Music. At the
moment we're not on touring. We're just making music & having fun.
2. Can you share any interesting or amusing anecdotes from your time together
as a band? A. It was quite a funny moment, when we heard the first mixed &
mastered version of "Stay". Our mixer did his work literally mixig
vocal tracks so that the lead singer was mixed as a background singer &
vice versa.
3. You mentioned your common interest in rock music from the 60s and 70s. Are
there any specific bands or artists that have had a significant influence on
your sound? A. Actually not influnced on our sound, but as an inspiration for
"Stay" e.g.: Black Sabbath, New York Dolls, Uriah Heep, Nazareth, Ram
Jam
4. Pete Asshill has been described as having a "hauntingly powerful rock
feeling." How would you personally describe your music to someone who has
never heard it before? A. Eclectic & energetic rock
5. Could you tell us a bit about the inspiration behind your single
"Stay"? What events or experiences led to its creation? A. There's many rock songs from the 60s and 70s based on a simple riff. I
tried to make so simple riff as possible, but still some variation in the song.
Actually the song was composed about 20 years ago in an airplane as a matter of
imagination. At that time airplanes had "a free bar" service. So this
release took a while. Actually I composed one album during that flight (about
10 songs) using the same principle: "a minimalist compose and
lyrics". Unfortunately, I've forgotten all the others.
6. Where was "Stay" recorded and who was involved in its production
process?
A. "Stay" was recorded in our home studio(s) using our own
resources. Only the mixing & mastering was done by someone else (the
professional)
7. What was the ethos or message you wanted to convey through "Stay"? A. There's always a lesson in all good stories. This is what we are
striving for in all our lyrics. Stay's lesson is based on Albert Einstein's
wisdom/aphorism: "To keep your balance, you must keep moving".
Translating to "Stay" lyrics: If somebody asks you to stay, it's
maybe better to run.
8. Can you provide a brief description of what the song is about and what
listeners can expect from it? A. A little bit nostalgic hard rock song (called "heavy rock" a
couple of decades ago). Someone might call it "punk Rock", too. Up to
a listener. A lot of energy, so, play it loud. Also an eye-catcher video: youtu.be/WzJF3ay3Gf8
9. Were there any memorable or amusing moments during the recording or
production of "Stay"? A. Sorry, actually
I used already this question's answer in question 2.
10. You mentioned having two vocalists on this track. Can you elaborate on how
each vocalist contributes to the song's dynamic? A. The lead vocalist is singing high & tight. The background vocalist
is singing low & crawl with a creepy feeling.
11. How do you feel about the current state of social media and its role in the
music industry?
A. I could write a book about this. Earlier the music itself was important.
Nowadays it's important, who is playing or singing (e.g. what kind of some
pages do you have, who are your friends, what's your opinion about this and
that, are you approved as a person in the music industry/elite). We are totally
against this. Only the music is essential.
12. What challenges have you faced as a band, and how have you overcome them? A. No problems as a band. Of course it's frustrating to be an independent
artist, which means "Outsider": Very difficult to get songs to
significant playlists. Very difficult to get radio plays, too.
13. What are your plans for the future? Any upcoming projects or performances
we should know about? A. Maybe a next single next: "New York Bastard". Demo version (4
different) is done, but the rhythm does not work very well. We have to figure
out new rhythms. 14. In one or two lines, could you share a personal quote about either the
band or the release of "Stay" that captures the essence of Pete
Asshill? A. Something to say!
Dive
into the journey of 'The Almas II' EP with the band, exploring inspirations,
ethos, tour tales, and future aspirations in this exclusive interview.
1. Your
new EP, "The Almas II," has just been released. How does this
collection of songs differ from your previous work, and what inspired its
creation?
The new EP definitely has a much more modern feel to it in terms of production,
compared to the other albums. The original set of songs that we set out to
record were never used; we were forced to write in-the-moment in the studio, so
the entire EP is a direct reflection of how we were feeling at the time. 2. "Crowns" is the lead single from your EP. Could you tell us
about the inspiration behind this particular track and the message you hope
listeners take away from it?
The song has much to do with a social media persona and how sometimes we focus
on our image to validate our success in life. It’s easy for people to tear you
down when they can hide behind a phone screen, the song focuses on “deleting”
that online persona and allowing yourself to focus on real life. 3. You've mentioned that the band's existence is about helping each other
and creating a positive environment for your fans. How does this ethos
influence your songwriting and performance style?
We don’t put the focus on the “party” that is commonly associated with
rock’n’roll. We instead aim to create a fun and entertaining live show where
there is no pressure or expectation to partake in shenanigans. 4. With over 39,000 miles covered and nearly 100 shows in 2022 alone, how do
you maintain energy and enthusiasm throughout such a demanding touring
schedule?
We have realized the focus isn’t really about us. The sacrifice is worth
getting a good message out. We work out as much as possible, try to eat as
healthy as we can, on days off we will go on nature walks, and truthfully lots
and lots of caffeine - lol. 5. Can you share any memorable moments or experiences from your recent major
US network television tour promoting "Crowns"?
The most interesting part was witnessing how TV studios worked. It’s a whole
different world compared to a live stage. Aside from the interviews themselves,
we were able to take tours of the United Tribes Technical College while in
North Dakota and Interlochen Center for the Arts in Michigan. The opportunities
provided at Interlochen for young musicians is absolutely outstanding, from the
outdoor practice stations, to the gorgeous live rooms and massive outdoor
theater.
6. Your upcoming UK promotional tour in July 2024 marks your first venture
into the UK market. What are your expectations for this tour, and what do you
hope to achieve?
Honestly, we are just hoping they like rock’n’roll! We expect to have the time
of our lives. Accomplishing this tour is a gigantic milestone for the band, and
if it is a success, it’s a testament to what this band can accomplish, and will
accomplish. 7. Mental health awareness is a significant focus for The Almas, as
evidenced by your support of various veteran events such as Rock 2 Stop 22. How
did this commitment to mental health advocacy originate within the band, and
how do you integrate it into your music and message?
The whole idea of the band was formed on personal recovery. It’s founder,
Frank, used the band as a way to stay sober and aim to create an environment
that was a safe place for people. The shows and music allow people to escape
from their problems in a healthy and positive way. 8. The Almas has shared the stage with numerous renowned artists like
Saliva, Slipknot, and Falling in Reverse. How do these experiences influence
your growth as musicians, and are there any standout lessons you've learned
from touring with such diverse acts?
Those bands are examples of what we want to become, in terms of their stage
show and level of professionalism. The examples listed are from festival
appearances we’ve performed at including Rock Fest (WI) and Rock 4 Vets (MI). I
think the greatest lesson learned is that this is a long game. Patience is key,
and you are the only person who can hold yourself back. 9. As a band, you've received recognition from the JOSIE Music Awards as
“Rock Band of the Year” in 2023. How does this accolade impact your approach to
music-making and your interactions with your fanbase?
It is a great accomplishment and we are honored to have been recognized in that
way. I guess it means we’re doing something right. We look at the accolade as a
means to continue down the same path forward, with honesty and hard work ethic. 10. Social media plays a significant role in connecting with your audience.
How do you utilize platforms like Facebook, Twitter, and Instagram to engage
with fans and promote your music? We utilize it to stay connected to our fans and let them know what we are
up to when it comes to song releases, tour announcements and general band
to-do’s; however we have a lot to learn in the world of “reels” and TikTok -
but we honestly tour as much as we do to be able to engage with our fans
in-person and not just online.
11. Your music videos on YouTube often feature visually striking imagery.
How important is the visual aspect of your artistry, and what role does it play
in conveying the message of your songs?
For the latest music videos, we have heavily played around with the elements
(water, fire, wind) to convey the emotions of each song. “Burn Out” for
example, though on-the-nose, we decided to play with fire; we set up to perform
in the dead of winter, in Minnesota, in a car graveyard surrounded by open
fields. The band performing in the cold with the visual contrast of the fire
and snow laden cars added the perfect components to convey a message of
exhaustion vs the will to persevere. Nowadays we are sadly finding the music
video itself is almost a lost art, becoming less important in a social media
aspect with 30 second clips/reels taking over, however we use the visual to
entice new audiences to check us out at a live show. 12. Collaborating with producer Kile Odell, known for his work on the #1
Active Rock chart, must have been an exciting opportunity. How did this
collaboration enhance the creative process for "The Almas II" EP?
Kile is a vital part in finding our sound. He helped us get out of our heads
and the metaphorical box we as musicians can find ourselves in. He taught us to
not overthink things and just write in the moment. 13. Looking ahead, you mentioned a new single scheduled for release in
mid-May 2024. Can you provide any insight into what fans can expect from this
upcoming track?
This track is the first song that we wrote with our producer, Kile. It’s got a
massive guitar riff, and if you think that our other music videos were wild,
this is going to blow your mind. Expect high energy, rock’n’roll with an
“explosive” ending! 14. Finally, where do you envision The Almas in the next few years, both
musically and in terms of your impact on your audience and the broader music
scene?
The obvious answers are releasing more music and continuing the “road dog”
touring lifestyle. We hope to travel abroad more, continue to share an
inspirational and uplifting message, and maybe nail down a few sold out shows
along the way!
Grant Kemp,
along with Joshua Roberts and JordyPurp, delivers a powerful musical statement
with their collaborative release, "Six Feet Deep" Drawing
inspiration from the iconic sound of Linkin Park, this track bursts with
aggressive guitar riffs and emotionally charged lyrics that resonate deeply
with listeners, igniting a raw exploration of inner struggles. Beneath the
layers of distortion lies a profound message of resilience in the face of
depression, making "Six Feet Deep" a poignant anthem for those navigating
the darkness within.
Recorded across Los Angeles, CA, and Orlando, FL, with
production by Kala in Canada, the track exemplifies the band's dedication to
crafting an authentic and impactful musical experience. Grant Kemp's personal
experiences as a Firefighter Paramedic lend a raw authenticity to the song's
themes, drawing from moments of profound challenge and introspection.
"Six Feet Deep" is not just a song; it's a
cathartic journey through the complexities of mental health and personal
struggle. Through its blistering instrumentation and heartfelt lyrics, the
track serves as a beacon of hope and solidarity for anyone grappling with their
own demons.
In the words of the band, "Whatever you're going
through, keep pushing." With "Six Feet Deep," Grant Kemp, Joshua
Roberts, and JordyPurp offer a powerful reminder of the transformative power of
music in confronting life's darkest moments.
The
Zaramutas have burst onto the music scene with a debut album that's as bold and
eclectic as it is masterfully crafted. Their release, 'CENSORED', is a
sonic journey through rock, R&B, and fusion, showcasing a unique blend of
styles and a commitment to sonic innovation.
From the opening track, 'Overdue', it's clear that The
Zaramutas have something important to say. With fast-paced soul vocal lines,
punchy drums, and razor-sharp lyrics addressing contemporary political issues,
the band wastes no time in making their presence felt. Guitarist and producer
Christos describes the album as an expression of urgency, a passionate cry for
social justice that's both angrier and more extroverted than their previous
work.
Listeners can expect to be taken on a rollercoaster ride of
emotions, with big guitar riffs, driving grooves, and lush vocals that keep
them rocking along for the album's 45-minute duration. Reviews have been
overwhelmingly positive, praising the band's exceptional musicianship and
scintillating vocals.
Overall, 'CENSORED' is a thrilling and ferocious sonic
journey that's sure to leave a lasting impression. With its blend of deep
riffs, sweet vocals, and imaginative alternative rock, The Zaramutas have
created an album that's as engaging as it is unforgettable.
Discover the origins of "zen metal" and Tim's Favourite's journey
through genres. Explore "amaConda's" societal critique and the
band's dynamic evolution.
1. How
did the concept of "zen metal" come about, and what does it mean to
you as a band?
Well, first
of all, what’s in a name? Apart from “metal” being the undeniable red line that
runs through all of our songs, our music seems to be pretty uncategorizable, so
I guess one day we felt we had to come up with a totally unknown, new sort of
term to describe it. Another thing, apart from metal, which I think stands out
very quickly after you’ve heard a couple of our songs, is this more
"oriental", psychedelic, almost trance-like touch to it. As a kid, I
used to listen to bands like The Doors, and I simply loved their song ‘The
End’. Adding that sort of influence to Heavy Metal is something I’ve always
wanted to do. Now, don’t get me wrong, I’m the last one to claim that we’re the
first band to have united these seemingly irreconcilable elements (Tool and
Soundgarden and innumerable other bands did that before us), but we probably
are the first ones to come up with the label “zen metal”, haha! That is not to
say that it covers every aspect of our music either. But the least you can say
is that it indicates that there’s more to it than heavy metal.
2. Can you tell us about the story
behind the band name "Tim's Favourite" and its connection to your
nephew Tim?
3. Your
upcoming album, "amaConda," explores themes that question modern
societal forces. Could you elaborate on the inspiration behind this album?
Many, if
not almost all of our songs, in one way or another, deal with the philosophical
ramifications of the supposedly "scientific" but actually
"scientistic" worldview: the ideology/belief that the only meaningful
way one can say something valid about the universe and about ourselves is the
scientific/reductionist way. This worldview leads some of its most fanatical
adherents to believe that the logical and automatic outcome of science is
always unequivocally good, and that at the political level this always results
in nothing more or less than... democracy. I think that is an extremely
dangerous delusion. Science is capable of doing both fantastic and downright
evil things. Science created nuclear energy. But prior to that, science also
created the atomic bomb. Rockets sent us to the moon. But one of the first
rocket scientists was Werner Von Braun, who created the famous V1 and V2
rockets for the… nazis. Science gave us genetic tests. But science also gave
us… eugenics. Anyway, the list is endless.
Another
song, "Totalibertarian" (a
word we coined ourselves), was written during the Covid pandemic and is about
one of the craziest conspiracy theories we have ever seen emerge around us and
which was propagated by, among others, a - believe it or not - university
professor in Ghent. The mad professor wanted to make you believe that the
pandemic was the logical outcome of the so-called mechanistic, scientific
mindset which, in his opinion, had totally indoctrinated our Western world. At
the same time, he tried to reassure his followers that he didn't believe it was
a real conspiracy, deliberately set up or planned by the scientific
"elites", but that, as a matter of fact, it was even worse: the
scientists, in his opinion, didn't even realize it themselves anymore. They
were so "hypnotised" by the "mechanistic" worldview that
they couldn't help but believing that virusses and diseases could and should be
contained by science, which was unacceptable to him. The scientific world view,
in his view, was becoming totalitarian and was inescapably destroying human...
freedom. Human freedom, in his view, should never, in any way, be curbed. It's
either total freedom or total nothingness. Our professor (and his thousands of
disciples, his book was a best-seller in the US) waged a libertarian and transgressive
crusade, setting himself up as the defender of individual freedom against
sanitary "repression", to the point where, in a rather hallucinatory
short-circuit, he even compared the anti-vaxers to the Jews forced to wear the
Star of David under Nazism. I wonder what he is making now of that totalitarian
"mechanistic" regime that "they" are trying to impose on
us, now that COVID's recommendations and restrictions have been substantially,
if not completely, lifted for more than a year.…
The title track, "amaConda", is a pretty
obvious pun based on the word "anaconda". In brief, it plays on the
comparing of a pretty disruptive multi-national you can’t in my opinion
possibly be unfamiliar with to an all-choking anaconda. The split head on the
album cover suggests that ultimately it is not so much about the snake (the
snake only being a metaphor) but rather about an, in our opinion, extremely
dangerous human phenomenon: the fundamentally scientific/technological
facilitation and maximization of totally deranged, Earth-threatening mass
consumption. The insane ("infinite") maximizing of consumption is
something which is made possible by people who easily pass the qualification of
"mad scientists", yes. Just for the record: we have NO fundamental
problem with science (the explanation of "Totalibertarian" should
have made that clear by now, we hope). What we do have a problem with is, like
I said before, SCIENTISM: the extremist belief that only science can say
anything meaningful about the universe. The phrase "rocket science"
in the song, you may take that quite literally, by the way. One more relevant
thing maybe to think about: Elon Musk's grandfather was the founder of the
extremely anti-democratic "Technocracy, Inc." And little Elon hasn't
forgotten that at all. The colony he desperately hopes to found on Mars
someday, he once said, will be a... technocracy.
The title of "Embarrassment Now" is a sarcastic reference to a book by
Steven Pinker, "Enlightenment Now". Mister Pinker, if you want our opinion,
is a pretty arrogant believer in reason and science as all-saving,
fundamentally moral forces. Convictions and ideologies (let alone religion)
are, so he claims, totally irrelevant. If only politicians would stick to the
scientific facts, all our problems would be solved. Pinker is even convinced
that sticking to the scientific facts is enough to achieve a democratic,
"Enlightened" society. But what he seems to forget is that even
scientists are human beings (luckily) with all their ideological convictions,
agendas and flaws who very often contradict each other even when it comes to
the pure scientific facts. The fact that in the course of human history,
scientists and science not seldom chose the side of downright evil ("There
is one question that only scientists working in genetics and race have to
grapple with. And that is: "What is it about me that the Nazis like so
much?" - Jonathan Marks), Pinker ignores it, completely. Moreover, if
politicians should stick to the scientific facts and put all their convictions
aside, then the spectre of a technocracy is becoming a (not alternative) fact.
And Pinker & co may say what they want, but that is far from democratic.
Anyway,
does that suffice as an answer to your question?
4. How
would you describe the evolution of your sound from your earlier albums like
"Noises from the Dark Room" to the upcoming "amaConda"?
I think
rhythmically it’s become a little bit more complex (with not always the most
obvious time signatures) and a little bit more “adventurous”. I’m particularly
fond of Alice in Chains (does that surprise you?) but I also simply adore
Intronaut, a band not always equally accessible to the untrained ear, to say
the least. Apart from that, I think our sound has probably become even more
uncategorizable.
5. Tim's
Favourite is known for blending various genres like grunge, thrash metal,
progressive metal, and more. What challenges do you face in merging these
diverse influences into a cohesive musical style?
What is a
cohesive musical style? Is it even necessary to have a cohesive musical style?
One of our (at least: mine!) main musical influences has always been the
Beatles. Especially their later work such as the "White Album" or
"Abbey Road" left an indelible impression on me. These albums are
almost impossible to categorise, with songs ranging from almost British music
hall style ("Honey Pie") over jazz ("Blackbird"), country
("Rocky Raccoon"), blues (“Yer Blues”), rock (“Back in the USSR”) to
something that probably originated outright heavy metal ("Helter
Skelter", "She's So Heavy") (I really think the Beatles invented
heavy metal, yes). In short, if there was one thing the Beatles did, it was
this: exquisite songwriting, regardless of genre. Don’t misunderstand me, I by
no means want to compare our songwriting skills to the Beatles’! But if there’s
one thing we do have in common with them, it’s that, in the end, the songs
matter, not the genre. Of course, we’re undeniably a heavy metal band, but
apart from heaving heard of Led Zeppelin, Black Sabbath, Soundgarden, Alice in
Chains, Metallica, Tool and Prong, we consider ourselves to be... a band. One
day, we might even end up writing a disco song, hell why not.
6. Could
you share some insights into your songwriting process and how you approach
creating lyrics that delve into serious topics?
Every time
somebody asks me how we write songs, I tend to give the same answer: there’s no
formula to it, man. And in our band, our writing process has definitely changed
a bit over the years. Let’s say that in the past it very often used to begin
with a catchy, groovy guitar riff, the validity of which was then tested during
a rehearsel with the rest of the band and especially with the drummer (because,
in the end, in my experience at least, it’s very often the way a riff interacts
with the drums, which ultimately makes up the catchyness and groovyness of it
all). But sometimes it was also “just” a jam session which originated a song.
Or sometimes, completely the opposite, especially I (mea culpa) would even turn
up with a virtually complete new song which only needed the ”scientifically
correctly” proportioned number of stanzas or basic structure or whatever to
finish it. The covid period resulted in a lot of those along the “virtually
complete new song” formula written songs on the new album, because there was
just no possibility to compose while rehearsing anymore. Before I knew it, I
found myself ramming up 20 completely worked out new songs down the throats of
the rest of the band (who basically only needed to learn how to play them). And
then suddenly remembering that, to some people, there is more to being part of
a band than basically playing “covers”. Let’s suffice it to say that of at
least one of the songs on the new album, at least 80% of the riffs were not
written by myself. And that, in spite of our album being a tribute to
democracy, playing in a band along democratic rules is… really not something
that comes along of itself without any deliberate, conscious effort. But we're
working on that.
As to the
lyrics, I tell myself that, more than your regular metal band, we really do try
(!) our best to make those lyrics add value to what we, being a (metal) band,
basically do: composing songs (read: making music). WRITING a song lyric about
“fighting the world with our metal forces”, well, I’m sorry but, for some
reason, that simply is just no option for us. Writing a song “about” evil or
the devil (horns included) simply for the sake of that being what metal bands
happen to write about, sorry again, but count us out. Suffice it to say that
we, honest to God, take our time (time being money, way too much, I know) to…
(hopefully) have something to say about things not only Manowar(-fans) can
relate to. That indeed implies that, I repeat, we really have no business with
that typical ‘us versus them’ narrative.
7. You've
played numerous gigs, including notable festivals like Alcatraz Metal Festival.
What has been your most memorable live performance so far, and why?
Well, you
named it: We all had and still have a really good feeling about our performance
at Alcatraz Festival 2021. When we started playing, there were like, 100 or so
people, attending the concert. At the end, the place was packed with, my guess
is 800 or something like that. And they all gave us quite a “standing” (read:
“screaming for more”) ovation. But say what you want. You can do a “perfect”
gig. You can also do a “perfect” rehearsal. In the end, live, it’s the feedback
from the audience that makes the difference. You can even, purely
theoretically, do an awful gig. But if the audience responds and they like what
you’re doing, then who are you to tell them wrong? I guess our latest release
show, where we presented our new album, was in that respect – feedback wise –
hell, thát was pretty bang on it.
8. The
band's lineup has remained consistent over the years. How does this stability
contribute to your musical identity and creative output?
The only
two founding members in this band are Elie (drummer) and me (singer/guitarist),
so I guess we haven’t, as a band, been that consistent after all. But, if there
is any consistency/bond in this band (betweem Elie and me), maybe it’s this
same sort of bizarre (but maybe just a tiny little bit less succesfull) bond as
there is between Lars Ulrich and James Hetfield. Hell, I really don’t know man.
You’re asking me to rationally answer questions about something which, in my
opinion, is anything but rational: making music. But notwithstanding that,
straight from the day he was “One of Us”, Tim composed at least 80% of the
riffs and lyrics of the most intricate song (“Andy’s Fall”) on our new album.
And when it comes to composing catchy basslines (think about “Embarrassment
Now”!!), I think I can safely say that our bassist Wolf has quite a talent for
that (understatement).
9. What
can fans expect from your live shows, especially in terms of the energy and
atmosphere you aim to create on stage?
Sheer joy,
in spite of all the, admittedly, sadness andserious stuff we sing about. Playing music live is probably the best
therapy we can think of.
10. Looking
ahead, what are your aspirations and goals for Tim's Favourite in the near
future?
Apart from
conquering the world with our new album (haha!), we’re planning to release a
few clips while rehearsing. And we’re already writing songs for a new
album.
Shockpowder,
the brainchild of visionary artist Joshua Scurfield, is set to mesmerize
audiences once again with the highly anticipated release of its second album,
"Dreaming from Elsewhere," on May 10th, 2024. Combining elements of
post-metal with a nostalgic 90s rock vibe, Shockpowder's music transcends
traditional genre boundaries, offering listeners a sonic journey into the
depths of dreams and emotions.
"Dreaming
from Elsewhere" represents a culmination of Shockpowder's creative
endeavors over the past few years, capturing the essence of ethereal
soundscapes and wistful melodies. With influences ranging from God is an
Astronaut to Slowdive, Shockpowder's music evokes a sense of profound emotional
resonance, akin to exploring the depths of the human psyche.
Following
the critical acclaim of Shockpowder's debut album, "The Final Thoughts of
Gaia," Joshua Scurfield continues to push the boundaries of musical
exploration, inviting audiences to immerse themselves in the unique world of
Shockpowder. As the release date approaches, fans can anticipate an album that
transcends the ordinary, inviting them to embrace the ethereal and embark on a
sonic journey into the dreamscape.
Conflict Choir, the UK-based alternative rock band, unveils their latest sonic
gem, "The Real Thing" marking a significant stride towards their
debut album, "Strange Game" Embarking on a sonic journey that
traverses ethereal landscapes, heavy drops, and poignant social commentary,
Conflict Choir's distinct sound, characterized by emotive riffs, captivates
listeners with its raw power.
Comprising session musicians Ali Clinton and Jack Bowles,
both seasoned collaborators with renowned artists, Conflict Choir recorded
their masterpiece in a dim Worcestershire garage, with Thomas Atlas and Greg
Chandler handling mixing and mastering duties. Their music delves into
contemporary societal dilemmas, from technology's pervasive influence to mental
health struggles, all enveloped in a dark sonic tapestry.
Influenced by icons like Jeff Buckley and Pink Floyd,
Conflict Choir has garnered support from BBC Introducing and Planet Rock. With
each single offering unique nuances and alternative versions, the band immerses
fans in a multifaceted experience, complemented by exclusive releases and
captivating visuals.
As they gear up for the release of "The Real
Thing" and its accompanying video, incorporating abstract and dystopian
imagery, Conflict Choir anticipates a thrilling chapter in their musical
odyssey. With a wealth of experience as session players, the duo's artistry
promises a compelling exploration of humanity's modern trials and triumphs.
Discover the genesis of Machukha and their fusion of post-black metal,
emotional hardcore, and punk. Explore their debut album's themes of resilience
and survival.
1. Can
you tell us about the origins of Machukha and how the band came together? Nataya: Ilya and I had been connected on social media for quite some
time, sharing experiences of gigs and festivals back in Ukraine, even though we
hadn't yet met in person. Despite having many mutual friends, our paths never
crossed until a friend of ours visited me in Berlin and introduced us. Upon
discovering our shared musical backgrounds, I decided to reach out to Ilya with
a simple message: "Hey, want to try to play some music together?" And
so we did.
Soon after,
we met Bláthin, and with that, the band began to take shape. However, finding
the right bassist and drummer proved to be quite the challenge. After
auditioning numerous drummers, we finally found SchĂĽtte, who's playing style
significantly elevated our musical cohesion. Meanwhile, Vrohdo joined Machukha
just a couple of months before we began recording our album. Despite the time
pressure, he rose to the occasion, swiftly composing bass parts and adding his
own unique perspective to our music, ultimately completing the LP and making it
whole.
2. Machukha's
music combines elements of post-black metal, emotional hardcore, and punk. How
do you navigate blending these diverse influences into your sound? Bláthin: When we were writing ‘Mochari’, we were constantly asking
ourselves what exactly we were saying? What are the key emotions in this
moment, where should it go afterwards? How does this part feel in the context
of what has already been said? We scrapped a lot, rewrote and rearranged parts,
so that there is a constant development from the very first note - that’s why
it became self-evident which part is expressed in which way, using the tools of
these varying genres to honestly express the guiding emotions.
Ilya: Our journey as a band is based not only on
blending genres, but combining our experiences, musical preferences, beliefs in
the most interesting and productive way.
3. Your
debut album 'Mochari' explores themes of resilience and survival. What inspired
the lyrical and musical content of this album? Bláthin: What connects each member or active musician of Machukha, is
that everybody has got an ongoing battle. How this battle is manifesting itself
is just a result of the pain of being alive. The pain of being alive in a world
that is eating itself up. And yet, we want to be alive, that’s why we are still
here. We were asking ourselves why we want to make this kind of music - if we
are prepared to invest so much money and work into this, what is it for? And we
came to the conclusion that it’s always been music that has helped us as
individuals to keep going. Maybe somebody else can find solace in what we’re
doing, while we are soothing and expressing ourselves.
Ilya: In
addition to what my bandmates said, I would add something from my personal
perspective, experience, something that I contribute to Machukha's sound and
emotional journey.
In general any note I compose is a reaction to people's cruelty, violence,
wars, discrimination, killing of animals.
4.Natalya, you sing exclusively in
Ukrainian. How does this linguistic choice contribute to Machukha's artistic
vision and message?
DISCLAIMER
The
views expressed in this text are not intended to discriminate against
individuals of any background. Instead, they reflect Natalya’s personal
perspective, who is dealing with her family's history of oppression and her
journey toward embracing her Ukrainian identity. It's essential to approach
discussions of historical trauma and cultural identity with sensitivity and
understanding.
Natalya: The primary reason behind my language choice is deeply
rooted in politics. I was born two years post Ukraine's independence in 1991.
While the official language was Ukrainian, I grew up in a russian-speaking
household within a community where russian language was predominant.
As I
entered my teenage years, my grandmother shared with me that both her and my
late grandfather and their families spoke Ukrainian. This revelation sparked
questions about why they had forsaken their native tongue. The answer,
unfortunately, boiled down to the insidious effects of white-on-white
colonialism and oppression. In order to fit into soviet society, one had to
give up their national identity if it was not russian. Speaking Ukrainian was
stigmatized, often depicted as a sign of rural backwardness in the media.
Ukrainian culture, rich, wise and profound, was unjustly portrayed as crude and
inferior. Even after Ukraine gained independence, remnants of this narrative
lingered, perpetuating the erasure of Ukrainian identity.
Through my
own research, I uncovered numerous atrocities inflicted upon Ukrainians by
russia, including the devastating Holodomor of 1930-1933, which claimed the
lives of 10% of Ukraine's population. It made me angry, I felt a severe pain
for my people who were beaten, imprisoned, raped and killed just because of
their desire to preserve their national identity. This allowed me to recognize
and confront my own generational trauma. It motivated me to take action against
oppression and violence - bit by bit I got rid of russian language and culture
in anything that surrounds me.
MACHUKHA
channels this pain and explores methods of coping with it. In light of these
experiences, Ukrainian became the only natural language choice for our music.
Furthermore, my heart always spoke Ukrainian. Years ago, when I first began
experimenting with writing lyrics, it quickly became clear to me that using
Ukrainian language allowed me to say more in the most sincere way possible.
This aligns with our desire for MACHUKHA to remain authentic and sincere. This
authenticity would be compromised if we were to translate our lyrics into
English.
5. Could
you share some insights into the creative process behind your music videos,
particularly the continuous story they tell? Bláthin: Since the album is written in a way that each part informs the
other, it was only logical to approach the music videos in the same way. We
financed the music videos ourselves, so we had to figure out a way around this
limitation within the actions that are happening in the videos. I have got a
background as a professional dancer and performer, so I used this understanding
of the body in order to visualize the story.
The music
videos are showing how one character is processing something very painful – so
Machukha hired the ritualistic performance artist The Ljilja to embody this
character, as The Ljilja’s work is rooted in exactly this – embracing the pain
and using it, and then showing this process through her body. Natalya and I
wrote the script based on what the core message of ‘Mochari’ is, and picked
these three parts, which are happening in the middle part of the album - this
is the moment of transitioning from confrontation to grief. Every moment and
action of these music videos have got a very specific intention that is logical
to this story of processing pain – but we wanted to keep the imagery and
characters open enough, that the viewer can connect this to their own story.
This is why Natalya designed the clothes in this way - to neutralize the
identity of the performers.
6. Machukha
has performed live since 2023, including supporting HIDE in Berlin and being
invited to the Core Festival in Glasgow. How do you approach your live
performances and connect with your audience? Natalya: I'm going somewhere else out of this realm. Usually I
don’t remember anything that happened during the show - only flashes. For me
it’s important to bring one main message forward. “It’s ok to feel the way you
feel, it’s ok to be troubled and experience pain, anger, frustration, sadness,
etc. We are here to help carry it or at least ease it even if only for a little
bit”. Bláthin: We’re purposely not using a click track or backing track
at the moment, which is very common these days - this has logistic reasons, but
also I feel like it pushes us more to connect and listen to each other, which
again informs the music. This is the first time that I have co-written music
that comes from my guts, so I want to spill them and invite people to wade
through them, if they want to. So far, after every time we’ve played, somebody
came up to us and said that they were deeply moved, that they even cried. This
is incredible feedback, especially since we are not released yet - and it
suggests that we are on the right track of how we’re approaching this.
I’ve also programmed lights that correspond with the dramaturgy of the set,
since lights have so much power to help translate the mood - I believe this is
also something that really helps the audience to understand what we’re trying
to say. Besides Core festival, we will play another festival in the Netherlands
this summer! Complexity Fest on the 17th of August.
Ilya: Live performance feels like a small
life. As Natalya said, flashes and then awakening.
Connection with the audience happens organically. This is a mutual exchange of
energy and emotions and there is no place for fears, doubts
If at least one person is leaving a venue with strengths to keep on fighting
with personal problems and/or with social injustice, discrimination,
restrictions - it means that we are making an impact.
7. What
was it like working with Jan Oberg from Hidden Planet Studio and Jack Shirley
from The Atomic Garden Studios on your debut album? Natalya: Working with both of them was a blessing.
This was
the first real recording experience for us as a band. Jan is a very sweet and
attentive sound engineer with an amazing ability to create a calm, safe and
comfortable atmosphere during the recording sessions. This combined with his
professionalism made it possible for us to record in the best that we could.
When we
started to think about who to work with on the post production, we made a list
of the bands that had a similar sound to what we were envisioning for MACHUKHA
- Oathbreaker, Deafheaven, King Woman, etc. One of the things that these bands
have in common is that they were working with Jack Shirley. Everything about
the process we’ve gone through with Jack was easy and enjoyable. He is
attentive to details and incredibly fast with implementing the changes.
8. In
addition to your music, Machukha is involved in associated acts and projects
like Peaches and the BACK TO YOUTH festival. How do these collaborations and
projects contribute to Machukha's overall artistic identity? Natalya: music is a huge part of my life and it helped me to get
through a lot. For some years I wasn’t playing in any band, however as a part
of the Back to Youth festival crew I was enabling other people to create and
share their music. Doing all that taught me a lot about community,
collaboration and creativity. This experience is reflected in how we do things
in Machukha - through close collaboration and mutual understanding. Bláthin: My year on tour with Peaches completely changed my life. She is
a legend to learn from, and I understood that if I truly want to hold the space
next to her on all of these massive stages, honoring her breakthrough album
“The Teaches of Peaches” which features her iconic track “Fuck the Pain Away” -
I have to confront my pain and not just drag it with me. This album was
actually an album she wrote when she was in a lot of pain! So, playing these
shows and working with her and the crew for this tour unraveled me and gave me
the strength to confront my traumas in a soft and surrendered but grounded way.
When I came back home to Berlin, I poured everything I learned from this
experience back into Machukha, while I went to therapy for the first time in my
life - it was also the first time that I could connect to a group of people and
feel safe, connected through this dedicated and hard creative work.
9. What
can fans expect from Machukha's upcoming debut album, set to be released in
late spring or early summer 2024? Natalya: it is dynamic and rich with emotionsBláthin: It’s a
bit tricky to answer this question, since we were chewing on this material for
quite a while now - when writing, I was constantly imagining myself hearing
this for the first time, but now it’s rare that I can do this. But - I wanted
to create an album that soothes. That lets you feel your rage, your pain, but
then brings you to a point where you can let go of it and from this devastated,
surrendered point - brings you back up, with renewed energy.
Ilya: I hope that everyone will find
something for themselves. I wish I could listen to this as an outside
listener.
10. Finally,
what are your aspirations and goals for Machukha moving forward, both musically
and creatively? Natalya: looking ahead, our aspirations and goals are deeply rooted
in both musical growth and creative exploration. We’re committed to improving
our skills as musicians both live and on record. Creatively, we see ourselves
experimenting with the sound, rhythm and various musical instruments. We’re
quite excited and humbled at the same time to go onto this journey of
self-discovery and artistic growth. Can’t wait to see where it takes us. Bláthin: Right now, I am in the first Opera production from the
Choreographer Florentina Holzinger - who is known to do extreme work. Similarly
to how my work with Peaches has in a way informed Machukha, I am certain that
everything I am learning in this production, I will bring back to this band -
especially regarding pushing the boundaries of art, these past few weeks have
been very inspiring… I want to keep on pouring everything I gain outside of
this band back into Machukha. And the more often Machukha will play live before
we work on new material, the more we will understand this album in a deeper way
- which in turn will let us know where we want to go after this. I don’t want
to overthink the next steps too much, but to channel what comes.
Ilya: To improve skills. Musically and
creatively, to experiment more. Find new ways to fill notes with even greater
depth. Build the community around the band.
P.S.
Thanks for having us and your thoughtful questions. Stay safe.
Welcome to our interview with Corrozion! Dive
into the dark depths of 'Dark Lights' as we explore the inspiration behind
their latest album.
1. Your latest album "Dark Lights"
delves into dark themes and emotions. What inspired the lyrical content and
musical direction for this record?
The lyrics
are inspired by readings, news stories and films, and flow from the atmosphere
created by the musicians. The songs have been chosen so that the EP remains
coherent; they are different but keep a common thread.
2. "Hypnotized" kicks off the album
with a powerful sound. Can you tell us about the creative process behind this
track and how it sets the tone for the rest of the album?
The track
begins with a sample to set the mood. Damien, the guitarist, originally came up
with the riff, then the bass was added and finally the drums. We see it as an
invitation to a journey into the world of Corrozion.
3."Out of Time" has been described as incisive. What message or
feeling were you aiming to convey with this song?
“Out of
Time” expresses a certain psychological suffering linked to confinement,
whether real or imaginary.
4. "When Death Decides for You" takes
listeners to the edge of the abyss. What was the inspiration behind this
intense and introspective track?
Initially,
the inspiration was to make a track that sounded rather dark wave; in the end,
something more visceral came out of it, something that takes you to the gut!
5. "Sleepwalker" has a haunting
quality to it. How did you approach crafting the atmosphere and mood for this
song?
For
“Sleepwalker”, the idea was to start with a rather calm melody and build up
intensity throughout the song. It's a song cut out for live performance, with
the vocals building to a climax and, let's say, a massive ending.
6. Working with David Potvin at Dome Studio in
Angers must have been an enriching experience. How did his production style
contribute to shaping the sound of "Dark Lights"?
We had
already worked with David on the previous EP “Come back/Exil” and we wanted to
work with him again. I think he's really brought his touch to it, there's a
“Dome Studio” sound that's very much his own.
7. Your cover art for the album is quite
striking. Can you share the concept behind the artwork and how it reflects the
music within?
What you
see is a fundus (eye) with a chaos
cross. It is said that the soul can be seen through the eye. The eye allows us
to see the outside world more or less objectively, but it's also a gateway to
the psyche. The boundary between mind and reality, that's how this EP reflects
it.
8. Your upcoming shows include performances at
Oudon and Hellfest le off. What can fans expect from your live performances,
especially in these festival settings?
We want to
convey a sound, that of Corrozion, and I hope to convey some emotions too!
9. Looking ahead, what are your plans and
aspirations for Corrozion in the coming year?
We've taken
over the compositions, so the idea is to move forward and make our music
evolve, and then of course to continue transmitting it via concerts.
10. Finally, where can listeners find more
information about your music, upcoming shows, and stay updated on all things
Corrozion?
You can
find all our news on our Facebook page https://www.facebook.com/corrozionmetal
and our music on all streaming platforms, with a few CDs still for sale on
Bandcamp!
