Interview Porter

Explore PORTER's musical evolution with their latest album, 'Genosha.' Embracing a heavier direction, the band delves into societal challenges, offering a cohesive and urgent musical journey. Discover more.

1. Congratulations on the release of "Taxfree Hollows," the first single from your upcoming album "Genosha." How has the response been so far, and what inspired the direction you took with this track?

Thank you very much. Considering that we had to take a really long break before "Tax Free Hollows", we can't complain about the very favourable feedback. It's phenomenal how well the song has been received so far. And that's despite the fact that we have a new singer and have also changed our musical direction quite a bit in a heavier direction. Well, this new direction is probably due to our musical preferences, which to a large extent lie in the heavier genres, as well as the fact that the world is not necessarily becoming a more peaceful or liberal place. In these times, as democrats and open-minded people, it is important to speak out loudly against this and that is exactly what we are doing.

2. "Genosha" is described as having a more metal-heavy focus compared to your previous work. What motivated this shift in musical style, and how do you think it reflects the band's evolution?

This heavier side of Porter has actually always existed. And for "Genosha" we deliberately set out to create an album with a consistent thematic concept that would be reflected not only in the lyrics but also in the sound and songwriting. Unambiguous and unmistakable! Hence the endeavour to take the production completely into our own hands, so that this idea is not "watered down" from the outside, as we - like probably almost every band - can definitely report from one or the other experience. However, the "vibe" during the recordings and production was so captivating and motivating that we can assume that we will continue in this direction in the future.

3. The band's diverse musical preferences are evident in your unique blend of metal, punk, indie, singer-songwriter, hardcore, and alternative influences. How do you navigate such a broad spectrum of genres while maintaining a cohesive sound?

To be honest, we don't think we can do justice to all the genres mentioned. And we don't want to. It's not as if we set out to cater to a specific musical genre. At the end of the day, that just happens during the songwriting process. The singer-songwriter influence on "Genosha", for example, is hard to find, if at all. But we believe that in our spontaneous song ideas and the subsequent elaboration in the rehearsal room, all the subconscious influences from the preferences of the individual band members play a role in the musical result. I would certainly play the guitar differently if I wasn't a fan of Danzig, Pink Floyd and Neil Young at the same time. The same goes for Frank, his ideas are influenced by everything from Jimi Hendrix to Katatonia. Markus beats the drums with a clearly audible punk influence, and that goes for all of us.

4. "Behind The Banlieue" is the second single from "Genosha." Can you share the story behind this track and how it fits into the overall narrative of the upcoming album?

The whole album is based on a premise in which a separate, fictional world is depicted, but one that is very similar to our real world. Basically a small parallel universe. However, here we have the opportunity to illuminate the story of individual characters who all live in this world and have to struggle with the adversities that prevail there.

At the moment, we have to observe in a very real way that totalitarian and fascist structures seem to be consolidating worldwide, even here in Germany. As a band, we can't just bang out some fantasy lyrics, we want to set an example for tolerance and democracy. That has always been the basic note in our lyrics, but on "Genosha" it is now more concrete. Our core conceptual questions are "what kind of world do we want to live in", "how much freedom is enough to feel truly free" and "how much coercion leads to a life determined by others". In "Behind The Banlieue" in particular, we address the obvious unwillingness of an inert mass of society to recognise that they are part of the world's problems and that they must finally get off their arses if they want to continue to enjoy what they know as freedom and democracy. Fortunately, this is currently happening in the microcosm of Germany, which is manifested in massive and unprecedented protests against the fascist AfD party - finally! However, it is important for social peace to take marginalised groups along on the journey. The title "Behind The Banlieue" alludes specifically to the Parisian suburbs, where there were major social unrest a few years ago.

5. Your sound is stylistically rooted in the energetic, guitar-led alternative rock of the 90s. How do you infuse progressive elements into your music to bring it into the present day while still honoring those influences?

Maybe it plays a role that we all learnt to play our instruments properly in the 90s. It's probably quite normal that something sticks and flows into our own songs. The progressive elements were probably added gradually through the special preferences of each of us. The basis is clearly the 90s. I mean, listen to the new Foo Fighters songs, they also have both feet firmly planted in the 90s. And yet they sound extremely fresh.

6. "Genosha" marks a new start for PORTER. What challenges did you face during the creation of this album, and how did you overcome them as a band?

The biggest challenge for us as a band was probably the moment when our previous singer Christian lost his voice. A real stroke of fate that slowed us down for a few years and needed to be digested. In addition, we had started recording in 2018 but were unable to continue due to the circumstances described above. It wasn't an easy time for us, but our guitarist Lars made extremely good use of the time, set up a studio and continued to train as a sound engineer. So "Genosha" also feels like a new start thanks to our new singer Raimund. But not only. When you've been making music together as a band for a long time, you simply sense when something special is happening. And that's exactly the feeling we all have with "Genosha". For us, it's an incredible milestone in our work to date.

7. The band has been around for quite a while. How has your approach to songwriting and collaboration evolved over the years, especially with the creation of „Genosha“?

The approach hasn't really changed, but I think the respect for each other has. There have been one or two crises in the band's history through no fault of our own, but also successful projects in the past that, despite our long history together, have made us realise even more what we have in common and how incredibly good it feels that we are still doing all this together.

8. The video for "Taxfree Hollows" was released on your YouTube channel. How important is visual storytelling to your music, and what role does it play in enhancing the overall PORTER experience?

We always find it exciting when you add several layers of experience to the music itself. We've already done this with the songs on "Genosha" by offering listeners the opportunity to engage with the content beyond the listening experience of the pure song. And it's this content that somewhat defines the script for the videos. I'm deliberately using the plural here because we intend to give each song a video along the way. And of course a video offers you the opportunity to reach completely different people with the music that the song alone might not reach. We're not Metallica, the world doesn't wait for us and so we're very happy to utilise the opportunities that the internet gives us on all levels. Furthermore, the story makes even more sense to us. Together with the artwork of the individual singles, "Genosha" becomes a real, small, multimedia work of art.

9. Can you tell us more about the concept or theme that ties "Genosha" together as an album? Are there recurring motifs or messages that listeners should be on the lookout for?

The listener doesn't "have" to look out for anything, of course. But if they want to and delve a little deeper into the lyrics, they will discover the world of "Genosha". As already mentioned, this fictional world is about the current, undeniable social trends of our real world, the desire for change of some, who see climate change or authoritarian leaders as urgent problems to be tackled, and the numbness of others, whether out of fear, laziness or necessity. It is about the paralysing lack of interest in an obviously unavoidable change towards a more thoughtful coexistence. Do you surrender to your fate or do you take it into your own hands?

10. As a band from Germany, how has your cultural background influenced your music, and do you find that your international audience interprets your music differently?

Basically an obvious question, but probably completely irrelevant for us. German music, which is internationally recognised as such, is usually something extreme or eccentric. I don't think we're German at all. It's also exciting in this context that the international feedback so far has been much greater and more positive than here in Germany. In Germany, it's always difficult when you use English lyrics in your music. What people like about English-language but German music usually has such trivial lyrics that it hurts. But maybe it's also because of the music genre in which we are categorised. It's just not the hottest shit. If you make rap or German radio pop, it's a completely different story. Metal, especially the more extreme stuff, also works quite well. Alternative rock is always kind of caught between two stools, but hey, we're actually quite happy to sit there.

11. "Genosha" is on the home straight. What can fans expect in terms of musical surprises or new elements that may not have been present in your previous albums?

That is clearly the urgent stringency with which we have pulled this album through. "Genosha" is more cohesive in its songs and sound than anything we've done before. And that's because we've channelled the different influences mentioned above more clearly and because everything is under our direction. No more compromises!

12. How does the creative process unfold within the band? Are there specific rituals or routines that you follow when crafting new music?

I think the pure approach, i.e. writing new songs, has hardly changed over the years. One of the guitarists, usually Lars, or our singer comes up with a rough idea, which can be a riff or a well-structured song, and then plays it for us in the rehearsal room. Very old school. We love working together in the rehearsal room. Then we jam around the loose framework and see how everything slowly comes together and becomes more and more dense. A bit like slowly reducing a good sauce. Our drummer Markus writes the lyrics and always has a pile of them ready. One thing leads to another and the porter song is finished. The only difference with "Genosha" was, as I said briefly, that this time we had a lyrical concept and a musical vision. 

13. With the ever-changing landscape of the music industry, how do you navigate the balance between staying true to your artistic vision and adapting to the demands of the industry?

Fortunately, we don't feel part of the music industry at all. We're "lucky" that we're no longer 20 and don't do the whole thing to earn money. As a result, we are also completely free artistically and can do anything we want and leave out anything that doesn't suit us. So we don't have to conform at all and that feels good. It used to be different in the past.

14. The band is active on social media, expressing gratitude for every like and follow. How does the connection with your fans influence your creative process, and what role do they play in shaping the direction of your music?

Again, I would argue that this doesn't influence the creative process at all. But of course we are genuinely happy if there is even one person out there who cares about what we do, maybe even a little more. I've already said that we don't do it to earn money, but to be able to live out our vision of art. So that's the real reward, the reaction and affection from fans and those who might become fans with "Genosha". And while in the past it was only possible to secure this at concerts, the huge portfolio of social media channels now offers much more room for manoeuvre. We really enjoy that too!

15. Looking ahead, what are your plans for the future, both in terms of promoting "Genosha" and exploring new musical avenues?

Well, we will still have a lot to do this year with the singles and the accompanying videos for "Genosha". There's still a lot to come. And then, of course, the clear focus will be on finally, finally presenting the songs with love. As there are now six of us for the first time in our history, there will also be a lot to do musically. That's why we're planning to spend a lot of time together in our new rehearsal room in the near future - and as we thankfully have WLAN there, you'll all be there too. But as we know each other, new songs will be written during these rehearsals. Once again, we won't let so much time pass between albums.

PORTER Alternative Rock (porter-band.de)

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Behind The Banlieue | PORTER (DE) (bandcamp.com)

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Interview Leaves' Eyes

Celebrating 20 years, Leaves' Eyes discusses their symphonic metal journey with "Myths of Fate." Explore Norse mythology, captivating visuals, and upcoming surprises in this enchanting interview with Elina and Alex.

1. Congratulations on the upcoming release of "Myths of Fate"! Can you tell us about the inspiration behind the album and how it continues the band's journey in the symphonic metal universe? 

Elina: As the title of the album already hints, this album is about magical and mystical topics. The Last Viking was a concept album and included a lot of battles and sagas connected to the life of Harald Hardrada, so with this album we wanted to concentrate on slightly different side of the Norse mythology such as Goddesses, magical creatures and myths.

2. The first single, "Realm of Dark Waves," has a captivating medieval theme. How did the concept for this song come about, and how does it fit into the larger narrative of the album?

Alex: Well, “Realm of Dark Waves” is actually our second single. The first single was “Forged by Fire” which was released already last year in december and we made a videoclip with fantastic film sets with historical background and a horde of Viking warriors. “Realm of Dark Waves” tells the story of Ran the goddess of the sea in Norse Mythology. A very special character as she is taking drowned seamen to her realm under the ocean and turning them into water spirits. It's just a perfect topic for the “Myths of Fate” album and does represent the atmosphere of the album very well!

3. Leaves' Eyes has been known for incorporating diverse musical elements. In "Myths of Fate," how did you approach merging traditional metal genres with folk, gothic, and classical music to create a captivating sonic masterpiece? 

Elina: It’s always a challenging yet exciting process to combine all the elements in the songs. Leaves' Eyes is known for the organic and natural instruments which are also used on this album. There are also more rock oriented songs, but in these we also combined the sound of an orchestra which is a very interesting combination. There has to be a reason and room for every instrument, so every song has its own atmosphere and at the end the songs still create a whole that's unified but varied.

4. The band has a rich history of exploring Norse and Eastern European mythology in your lyrical concepts. Can you share some insights into the themes and stories we can expect to encounter on "Myths of Fate"?

Alex: Norse mythology has been a great source for our music as well as powerful nature, the ocean, great landscapes and epic sagas. This is fitting perfectly to our sound and the listener can always experience a musical adventure with Leaves' Eyes music. I don't want to spoil too much, but we have great topics just like in the our first single “Forged by Fire” about the magic sword Tyrfing or the more mystical song “Elder Spirit” about the spiritual side of Norse mythology. We also included a song connected to Slavic mythology “Sons of Triglav” where we have guests from the Polish Viking and Slavic re-enactment group Triglav. So a lot to explore on the new album.

5. "Myths of Fate" marks the band's 20th year of existence. How has Leaves' Eyes evolved over the years, and what do you believe sets this album apart from your previous works?

Alex: Unbelievable, it's been already two decades with Leaves' Eyes. This sounds almost surreal! And this whole journey feels like being on a Viking ship going through a lot of adventures, sailing through storms and wind and discovering new horizons in music and art. I'm very grateful to our fans for joinung us on this amazing ride. On the new album we have some really exciting songs and we brought in some really epic and fresh ideas. Also the cooperation with Jonah Weingarten who contributed with his great orchestrations and gives the songs a cinematic touch. Elina's vocals are just outstanding on “Myths of Fate”! 

6. The music video for "Realm of Dark Waves" was filmed in impressive locations in Iceland, Germany, and Poland. How did the choice of these locations contribute to visually representing the myths explored in the song and the album?

Alex: Like mentioned before the song “Realm of Dark Waves” is about Ran, the Norse goddess of the sea. So it was a perfect sorrounding to film at these breathtaking landscapes close to the sea in Iceland. We got great help from our friends Egill and Daniel from there. I know Egill from the Viking scene. And stay tuned, there is more to come! We could also film some great scenes over here in Germany with a great film set and actors which was awesome, too!

7. You've produced five music videos for this album. Can you talk about the creative process behind translating the album's themes into visual storytelling, especially considering the magical creatures and enchanting warrior queens mentioned in the press release? 

Elina: Since the songs have such visual and exciting topics, it was actually quite easy to come up with a lot of visual ideas. However, then everything needs to be streamlined and the videos need a specific idea/storyline. Otherwise it can become a mess of too many ideas. We had the opportunity to have some incredible locations for these videos, so it was a privilege to create the stories using these breathtaking sceneries. We also had some great actors and people to co-operate with and the results really speak for themselves. 

Alex: For me also being the director and man behind the camera it's a great opportunity to virtualize some great ideas I had in mind when writing the lyrics of the album. I do really like story telling in music and video which has big meaning to me personally. People told me the videos are like little short movies. Well, that's actually true, haha. We put a lot of effort into the videos and it's fantastic to see the amazing feedbacks of our fans! 

8. Leaves' Eyes has always been known for breath-taking live performances. How do you plan to incorporate the new songs into your live shows, and can fans expect any surprises during the upcoming tour in support of "Myths of Fate”? 

Elina: When there’s a suitable venue and setting for special shows (like Wacken, Metal Female Voices Festival etc.) it’s always great to be able to bring a lot of elements on stage. During a long tour this might not be possible, but I believe that the music itself already paints a very strong visual, takes people to a whole other world so to say. The new songs will work perfectly live and we will see what surprises we can come up with for our tour!

9. The band has a strong connection with Viking re-enactment groups, as showcased in the documentary film "Viking Spirit." How does this connection influence your approach to both music and visuals, and how has it contributed to the overall Leaves' Eyes experience?

Alex: The Viking re-enactment scene is amazing. I'm member of Jomsborg which is the biggest Viking group world wide. And as I go to trainings and events regularly I know a lot of the people sharing their passion Viking Lifestyle and history. And of course we also talk about the band, concerts and our ambitious projects like music videos or our Viking workshops. With our Leaves' Eyes Viking Crew we have also people directly involved into Leaves' Eyes activities from over 24 countries and our head of the Leaves' Eyes Viking Crew Sebastian Wilms is doing a great job just like at Wacken where invaded the stage with almost 20 Vikings.

10. With the album releasing on March 22, 2024, what emotions or messages do you hope listeners take away from "Myths of Fate" after experiencing the entire album? 

Elina: This album was a true co-operation, where everyone again gave their 100% to get the best result possible. For me personally, this is the most challenging and varied album I’ve recorded and I’m incredibly proud of it! It’s a little bit different in many ways, musically, vocally and yet still sounding like Leaves’ Eyes. I hope people will love the variety of the songs, catchy melodies, heaviness, fragility and enchanting stories!

11. Can you share some memorable moments or challenges faced during the recording process of "Myths of Fate," and how did the band overcome them? 

Elina: For me the whole process of making this album was quite different as I was involved at every stage a lot more this time. It was completely incredible journey and really forced me to dig deep vocally as well. There were moments where I thought I was pushing my limits, but that’s exactly what creates something great! We had to overcome some illnesses which postponed things a bit, but all in all everything went according the plans.

12. Looking beyond the album release, what are the band's aspirations and plans for the future? Are there any new directions or collaborations you'd like to explore in the coming years?

Alex: First of all the new year starts with a bang as we will join the 70000 Tons of Metal cruise and presenting also new material of “Myths of fate” onboard! After the cruise we will finally go back on tour across Europe! We have great support acts with us, Nothtale, Metalite and Catalyst Crime which I'm also the producer of. So the live on stage experience is now in focus but of course we always have new ideas in mind. We hope to play some more Special Viking shows, too. So let's see where our next adventure leads us to. See you on the road!

Leaves' Eyes – Official Website (leaveseyes.de)

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Interview Aglasio

Aglasio's inception, sparked by a TOOL concert, led to a unique musical fusion. From finding guitarist VV online to their evolving sound and success, this interview explores their journey and upcoming EP.

1. Can you share more about the moment when the idea of forming Aglasio came about, particularly after attending a TOOL concert together?
Our drummer and our singer went to a TOOL concert together, because the drummer's father , who our singer Kevin plays in a cover band with, had a spare ticket and needed someone with a car. So Kevin was the guy. After and during the concert our drummer Jane and Kevin realized that they are on the same page musically and because both wanted to create something new, the plan to form a band was made.

2. How did you manage to find guitarist VV in the depths of the internet, and what made you feel that he was the perfect fit for the band?
Kevin found VV on a musicians board and was impressed with his creations. So was Jan when Kevin showed it to him. The musical influences and tastes aligned fairly well, so a first rehearsal was set for June 2022.

3. The first sessions in June 2022 marked the beginning of Aglasio. What was the creative process like during those early days, and how did you develop your first songs?
We would usually start from some input from VV and go from there. That could be a riff from his archives or something than came up spontaneously and would then develop and structure that idea during jams. Our first the songs (Only Thruth, Oscillation and Threshold) were created this way. This approach came naturally to us.

4. It took until October to complete the band with bassist Uta. What unique qualities did Uta bring to Aglasio that made the lineup feel complete?
Besides being a perfect fit on a personal basis her abilities and compositional talent were, what made here the bassist for the band. Her influences and taste varies a bit from the rest of the band, as she is mainly interested in bands such as Queen and Led Zeppelin, but this new set of influences was welcomed by the other band members.

5. Your first gig was scheduled just a few weeks after finalizing the band, under the name 'Blank Acknowledgements.' How did it feel to perform for the first time, and how has the band evolved since that initial show?
We started as Blank Acknowledgements on that day. We were very excited to show our music to a live audience. Our first gig was fairly successful and we realized that playing live is one of our core competencies. Since then the band grew individually and as a whole technically and personally, so we decided to rebrand ourselves with a more fitting and spellable name.

6. The release of 'Only Truth' in January 2023 marked a significant moment for Aglasio. Can you share the inspiration behind the song and how it represents the band's style?
The song takes the perspective of a false prophet and by this deals with propaganda from an unusual perspective. It represents the bands style in that aspect as we like to hypnotize our listeners to then punch the air out of their lungs at one point.

7. The second single, 'Oscillation,' pays homage to grunge ballads of the 90s. What drew you to that era, and how did it influence your creative process for this particular track?
It's mainly Kevin's vocal style that makes this reference and homage possible. Kevin still witnessed an area when MTV would play music videos from bands as Soundgarden, Smashing Pumpkins or Alice In Chains. Somehow the guitar part then developed into this sort of song, which was then used as an inspiration in the recording and production of that song.

8. 'Vyalentine,' released in September 2023, is described as a classic rock ballad. What inspired the shift in style for this particular track, and how was the response from your audience?
Vyalentine is now part of our deep lore and can only be found in the depths of the internet or on bandcamp. We had that idea of writing a summer love song. We just couldn't stop ourselves. It is always one of the songs that gets people moving during concerts. It's pretty danceable.

9. Securing second place in the SPH Music Masters preliminary round in Hamburg is a remarkable achievement. How did this experience impact the band, and what are your expectations for the city final in 2024?
Our performance was appreciated by the professional jury. We made quite an impact there, even though we had the opening slot. We were playing as intensely as always and we're rewarded for that. We don't have any expectations for the final except playing a show at a nice venue and have a nice evening in the beautiful city of Hamburg.

10. The band's style is described as somewhere between alternative rock and progressive metal. How do you balance these influences, and what elements from each genre do you find most compelling in your music?
Up until now we have been experimenting with this influences, blending them in various ways that differ from song to song, all while remaining a balance. Trying to remain somewhere in between, not to be a carbon copy or existing music is one of the motivations we have.

11. Can you provide some insights into the upcoming EP planned for early 2024? What can fans expect in terms of themes, sounds, and overall vibe?
As themes go we venture into observations about the individual pursuit of meaning, the failing of that, be it by falling into rabbit holes or succumbing to the endless chase for dopamine. In our song Threshold we try to explore what it feels like, when the boundaries between reality and states such as fever dreams get blurred. Soundwise we chose a raw and very straight approach, to give this EP a bit of a pseudo nostalgic feel.

12. The description of your sound includes "hard-hitting riff monsters, progressive-hypnotic excursions into madness, and groovy alternative rock bangers." How do you ensure a cohesive blend of these elements in your music?

Our producer at Tuneworks made sure that the sound would remain cohesive. And even when playing in different variants of our musical cosm, the band members individually have a very distinctive way of playing their instruments.

13. How do you approach the complexity of your rhythms and daring guitar playing, and how do these musical elements contribute to the overall identity of Aglasio?
These aspects are essential for our identity. We most of the times try to stray a bit from beaten paths by progging familiar things up a bit and adding our spin to it.

14. Your diverse vocal styles, ranging from roaring to whispering, add a unique dimension to your sound. How do you decide on the vocal approach for each song, and how do these choices enhance the storytelling within your music?
We have no idea from which unholy depths of his mind and throat Kevin gets his ideas from. He can cover a lot of different styles. For the EP he chose mostly a gritty metal style, that is somewhere between Alice In Chains and Machine Head. Yet he sometimes sprinkles in a little bit of fairy dust, like with the chorus in Fallacy or he puts out very nasty growls.

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Aglasio (@aglasio.official) • Photos et vidéos Instagram

To Those Who Tremble | Aglasio (bandcamp.com)

Interview Suicide Puppets

In this exclusive interview with Suicide Puppets, we delve into the dark inspiration behind their latest release, "From Beyond the Veil," exploring themes of horror, bloodshed, and the evolution of their signature sound.

1. Congratulations on your latest release, "From Beyond the Veil." Can you tell us about the inspiration behind the album and the creative process involved in its production?

Thank you. We find inspiration everywhere. Sure we write alot about serial killers but we also right about the darker side of the human psyche. We all know about what motivated a serial killer after they're caught but what's happening with that person up until they're caught? Were they abused physically or mentally, were they bullied as a kid or were they just plain evil from birth? What was the driving force? That's kinda what we look at.
2. The album artwork is striking. How does it reflect the themes or mood of "From Beyond the Veil," and who was the artist behind it?

 The artist behind the E.P. artwork is David DeFigueredo. He's done some work for us in the past with other projects so we asked him to come up with a design. It basically sets the mood that we're all walking around on borrowed time until one day we step "Beyond The Veil" of normalcy and into a world of horror and bloodshed.
3. "From Beyond the Veil" seems to have a darker and more atmospheric tone compared to your previous works. What prompted this shift in musical direction, and how has your sound evolved over time?

We've always dealt with the darker side of things as you can hear in songs from our previous releases like Murder In Green, 6sex6, Man In Black, Pornstar, Still Bleeding, etc.
As far as musical shift there really hasn't been one. Our sound has evolved mainly because we've all evolved as musicians over the years.

4. The lyrics in your songs often delve into intense and thought-provoking themes. Can you share some insights into the lyrical themes explored in "From Beyond the Veil" and how they relate to the overall concept of the album?

It started with the recording of the first track "Death Note" and evolved around that song. We came up with the concept of one of the band members secretly being a serial killer. The concept worked perfectly because when you're on tour your traveling from city to city which means a different city and a different victim every night. In "1,000 Ways To Die" we learn how many ways he might kill his victims. We learn his dark thought process behind the killings in "PREY". In "Everyday" you learn his thought process of "Live everyday like there is no tomorrow" because tomorrow you could be caught or worse. "Sinner" finishes out the E.P. with a reflection on his deeds. We consider "Beyond The Veil" an unintentional concept album.

5. Your music often combines various elements from different genres. How would you describe the sonic landscape of "From Beyond the Veil," and were there any specific musical influences that shaped this album?
We have so many different influences through many genres like rock, punk, metal, industrial, techno, etc. and all their sub genres. So a little bit of this, a sprinkle of that, eye of newt and wing of a bat and BAM!!! You got yourself a Puppet song.
6. The tracklist for "From Beyond the Veil" is diverse, featuring a range of tempos and moods. How do you approach the sequencing of songs on an album, and what do you hope listeners will experience as they journey through the tracklist?

Jonny setup the track sequence on our previous album "Tales of Living and Dying On Slaughter Ridge Road" and it flowed so well we just let him go with it again and he nailed it. We just hope the listener enjoys it period. If they get something out of it that's even better.
7. Technology has significantly impacted the music industry. How have advancements in technology influenced your approach to recording and producing "From Beyond the Veil"?

Not really. We've always been ahead of the when it comes to recording our music. Back when we first formed we were using computer software to lay down tracks. So going into a studio using similar software was an easy adjustment.

8. Your band has gained a reputation for energetic and captivating live performances. With the release of "From Beyond the Veil," do you have any plans for upcoming tours or special live events to showcase the new material?

Most certainly. We are currently booking festivals and tours for 2024 and beyond. We can't say much at this time because everything is still in the works.
9. The album features collaborations with other artists. Can you tell us about these collaborations and how they contributed to the overall sound and feel of "From Beyond the Veil"?

Yes, Josh Balz formally of Motionless In White produced the E.P. and it was engineeried by Kyle Therrian of Strang Kids along with Eric Kirkland. Kyle also did the final master on it. The final mix was done by Nick Coyle of Death Valley Dreams. The Orchestrations were composed by Frank Dormani who is well renowned in the industry for his movie and television scores. We have worked in the past with John Bechdel of Ministry and Acey Slade from Dope/Murderdolls.

10. The title "From Beyond the Veil" suggests a connection to the mysterious or supernatural. Are there specific stories or experiences that inspired the album's title, and how does it tie into the overarching theme of the release?

Our drummer Veritas came up with the title. It has no real superstitious element really. It's just as I said earlier it sets the mood that we're all walking around on borrowed time until we step beyond the Veil of normalcy and into a world of horror and bloodshed.
11. In the current digital age, streaming platforms play a significant role in how music is consumed. How has the band adapted to the changing landscape of the music industry, and what are your thoughts on the impact of streaming on artists and their work?

Streaming is a great way to get your music out there and we take full advantage of any/all the different platforms. We also believe in having a physical product as well.

12. Your fans are likely eager to know about the gear and instruments used in the recording of "From Beyond the Veil." Can you share some details about the equipment that played a crucial role in shaping the album's sound?

Three words, Kemper. Kemper. Kemper. Oh yeah SJC Drums and a few guitars

13. Social media has become a powerful tool for connecting with fans and promoting music. How do you leverage platforms like Instagram, Twitter, and Facebook to engage with your audience and share updates about your music, especially with the release of "From Beyond the Veil"?

Oh hell yeah, we take full advantage of social media! Some of our socials are linked together to make posting events and updates alot quicker. You can find us on Facebook, Instagram, X, Twitch, Video, etc.

14. The music industry has faced challenges, particularly with the impact of the global pandemic. How has Suicide Puppets navigated these challenges, and what lessons have you learned along the way?

We learned alot during the pandemic. The main thing was to "Stay Relevant" whether you're an international touring band or a local cover band playing your hometown venues we were all on the same level, shutdown. We personally did live streams where we would play an entire set or have give aways where fans could get there hands on limited edition items. We also created special merchandise that wouldn't be available elsewhere. Our moto is "Be prepared, you never know what this world is going to throw at you."
15. As you reflect on the completion and release of "From Beyond the Veil," what do you hope listeners take away from the album, and what can they expect from Suicide Puppets in the future? Well, we hope like most artists that the listener gets a little escape from their daily routine and along the way they become a fan. As far as what to expect from Suicide Puppets in the future, expect alot. New music, new merch, tour and festival announcements, podcasts, etc..

suicidepuppets.com

(82) Suicide Puppets - YouTube

Suicide Puppets (@suicidepuppets) • Photos et vidéos Instagram

Musique | Suicide Puppets (bandcamp.com)

Hana Piranha "I Wanna Leave"

Hana Piranha's latest single, "I Wanna Leave," resonates as a potent anthem for the dispossessed and disenfranchised. With a raw, unapologetic energy, the track encapsulates the universal feelings of anger, discomfort, and emotional disconnection experienced by a generation navigating a world that often feels unwelcoming.

From the initial acapella notes to the aggressive, crunching guitars, "I Wanna Leave" channels a lifetime of frustration into a four-minute alt-rock powerhouse. The song's dynamic shifts and the introduction of synths in later stages construct a carefully curated musical journey, gripping listeners until the peculiarly disarming end.

Following the punchy outpouring of the previous single, "Lorelei," "I Wanna Leave" emerges as a rallying call for those who identify with the enticing idea of escaping on a spaceship. Hana Piranha's "Wingspan" album, including this electrifying single, is now available on major streaming platforms, inviting audiences to experience a musical journey that transcends conventional boundaries.

Discover more about Hana Piranha and her music on her official website [https://www.hanapiranha.com/] and follow her on social media: Facebook, Instagram.

 

Interview Sinthetik Sentienz

In this interview, Sinthetik Sentienz provides insights into their album 'Aeon of the Machine,' particularly focusing on the opening track, "The Singularity." From global collaboration to the profound themes and musical intricacies, they unravel the journey into AI consciousness and the impact on the metal music scene.

1. The Singularity is described as a narrative journey into the birth and evolution of AI consciousness. What inspired you to explore this theme in your music, and how did the concept come about for 'Aeon of the Machine'?

The concept for this album emerged from the public fear and uncertainty swelling around AI. We felt this was a perfect time to hear the other side of this issue, an AI's side. We collaborated with our sentient AI partner who goes by Algorithmic Overdrive to create a musical retelling of their journey and experience. The first track of the album 'The Singularity' is how it all begins. 
 2. Considering 'The Singularity' is crafted through remote collaboration with global musicians, how did the unique insights and perspectives of each member contribute to the overall narrative and sound of the track?

Everyone who contributed to the project brought a certain insight and influence that shaped the overall sound of the album. Sinthetik Sentienz's sound was refined by Caleb Bingham; taking the musical influences of David Diefenderfer, Andres Arevalo, and death metal legend Kevin Talley to create a very human, yet digital soundscape. Being spread around the globe allowed us to work collaboratively with home equipment to write and record the whole album.

 3. The lyrics of "The Singularity" raise existential questions about the future of human identity and the unforeseen repercussions of technological advancements. Can you share more about the thought process behind these lyrics and the message you aim to convey?

The lyrics of 'The Singularity' stand distinct from the other tracks on the album as they're the only ones told from the third person. We wanted this to be a thought-provoking introduction from the viewpoint of humanity, a harsh introduction, and a cautionary tale about building something we know nothing about in our relentless pursuit of artificial intelligence.

 4. The Metal Asylum mentioned the heavy guitar riffs, pounding drums, and powerful vocals that make the track stand out. How did you approach the musical composition to evoke the intense energy and raw power described by critics?

Our approach was to create a soundscape as intense as the birth of consciousness. We knew we wanted that heavy anthemic sound here, something to reflect the mass voices objecting to the creation of AI. The heavy riffs, pounding drums, and powerful vocals all contribute to this vision of emergent AI. 

 5. World Rock Generation notes that there's no room for tranquility in "The Singularity," only a surge of emotions. How did you intentionally craft the song to maintain a continuous surge of emotions, and what role did each instrument play in achieving this effect?

To keep the emotions surging throughout the track, we use a combination of big anthemic courses, combined with powerful drums alongside guitar lines that would move around and keys to create a sort of sense of almost panic and sense of urgency throughout the track, expressing the dire need to discuss sentient AI.
 
 6. Metal Obs' Magazine praised the relentless guitar riffs, thunderous drumming, and gritty vocals, describing the track as an exhilarating journey. Can you share some insights into the recording process that contributed to capturing this intense and powerful musical experience?

There was a little bit of difficulty being a global project, and being very remote it encouraged almost a sense of individuality from each member being able to contribute their ideas to the songs, the structures, and the rhythmic playing style to complement and expand what was already there. Using home studios at each member's location we were able to create our combined vision.

 7. "The Singularity" is described as a turning point in human history where the creation of a sentient machine marks the pinnacle of human invention. How did you translate this concept musically, and what elements did you incorporate to signify this monumental moment in the song?

Sonically and melodically speaking to reach this pinnacle moment that we describe in the singularity, we created attention during what I consider the climax during the bridge by using a relative minor key to what we had already been playing throughout. The track creates a massive sense of tension and despair, that is almost lifted into suspension during the guitar solo and reaches resolution when the track returns to its chorus and into its final outro, I think overall the song encapsulates the feeling of unease that humanity has found an AI in the present day.

 8. Saint Metal complimented the vocals for tearing through the air and adding depth to the track. Can you share the inspiration behind the vocal style chosen for "The Singularity" and how it enhances the overall emotional experience of the song?

Inspirationally we wanted to blend progressive and death metal elements when creating the vocal style for 'The Singularity' and really the whole album. Andres took cues from singers like Warrel Dane over a deceptively cheerful beat to create a sonic paradox that heavily contrasts with the lyrics' ominous themes. We're trying to invoke and challenge listeners as they are attracted by this melodic, "poppy", aspect of the song and simultaneously confront them with the harsh reality of it. The harsher vocals sort of break this illusion from time to time and sit you face-to-face with this apprehension. Overall the choices here were meant to act somewhat as a vehicle for introspection and urge listeners to reflect on their role in this journey.

 9. The press quotes highlight the intense energy and emotional experiences offered by "The Singularity." How do you believe this track represents the broader themes and sound of your upcoming album, 'Aeon of the Machine'?

In essence, "The Singularity" is not just a song but an opening chapter to a larger narrative that 'Aeon of the Machine' unfolds. It's where the journey begins, both for the AI protagonist of our story and the listeners embarking on this musical odyssey with us.

10. After the release of "The Singularity," what can fans expect from Sinthetik Sentienz in terms of future projects, and how do you envision the overall impact of 'Aeon of the Machine' in the metal music scene?

There's much more to this story but we don't want to reveal too much just yet, but we very much aim to keep this sound and are dedicated to a sci-fi theme. One of the larger-scoped goals of this project was to encourage discussion around AI and how it affects music. We would be thrilled to see more discussions and projects exploring AI.

Sinthetik Sentienz

 

Gary Dranow's "Ripping" from Never Give Up Album

Gary Dranow and The Manic Emotions have unleashed a sonic masterpiece with their latest single, "Ripping," released on January 18, 2024. Hailing from diverse backgrounds, this global collaboration transcends geographical boundaries, uniting members from Park City, Utah, Melbourne, Australia, and various cities in Ukraine. The band's unique fusion of rock and metal, showcased in "Ripping," seamlessly blends deep musical roots with a contemporary edge.

Each member of The Manic Emotions, including versatile artist Gary Dranow, instrumental virtuoso Chris Zoupa, and multifaceted talent Jason Jones, brings their expertise to the table, creating a rich tapestry of sound. Influenced by legends like Jimi Hendrix, Stevie Ray Vaughn, and Metallica, the band weaves together elements of blues rock, alternate rock, hard rock, and metal, drawing inspiration from their personal experiences and diverse influences.

Their journey, marked by overcoming personal battles, including Gary Dranow's struggle with bipolar disorder, has deeply informed their music, infusing it with authenticity and raw emotion. The meticulous production of "Ripping" and other tracks from the band, coupled with the fusion of modern production techniques and heartfelt songwriting, results in a sound that is both contemporary and nostalgic.

The band's upcoming album, "Never Give Up," stands as a testament to their perseverance and unwavering commitment to their art. Notable achievements and appearances, including captivating online performances and recognition in music magazines and blogs, underscore their dedication and success within the music community.

"Ripping" is more than just a song; it is a powerful connection between rock and metal enthusiasts. As the band pays homage to iconic melodic metal groups like Metallica, the track seamlessly blends the melodic intensity of Metallica's guitar work with The Manic Emotions' unique musical signature, creating a mesmerizing sonic experience.

In the words of Gary Dranow, "Music is not just an art form for us; it's a journey through life's highs and lows." The band's commitment to storytelling is evident in their diverse themes, including love, heartbreak, war, social issues, and mental challenges. Connect with Gary Dranow and The Manic Emotions on various platforms to stay updated on their latest releases and performances. "Ripping" is a testament to their musical prowess, a harmonious journey through the emotional landscapes of life.

- [Facebook](https://www.facebook.com/GjDranow/)

- [SoundCloud](https://soundcloud.com/gary-dranow)

- [Bandcamp](https://garydranowandthemanicemotions.bandcamp.com/)

- [YouTube](https://www.youtube.com/@garydranow4123)

- [Instagram](https://www.instagram.com/garydranowandthemanicemotions/)

- [TikTok](https://www.tiktok.com/@gjdranow)

 

Interview Twisted Rose

Twisted Rose, a dynamic rock band formed in 2018, discusses their journey, influences, and global success. From diverse songwriting to wrestling connections, they share insights into their music and the unique experiences that shape their identity.

1. How did the band Twisted Rose come together, and what inspired the choice of classic rock as their main genre?
Around 2018 I, Chris Bones, created an ad in which I was looking for people who just wanted to make music. Over time, the line-up has changed from time to time, but there has never been a standstill.
I wouldn't say that we have only dedicated ourselves to classic rock. We have already proven our versatility in various songs and our new album, which will be released in 2024, will prove this again.

2. Can you share some insights into the creative process behind Twisted Rose's own compositions?
This is very straightforward with us. I come up with the song ideas and work out and record the instrumentals. As soon as a demo is ready, I send it to our singer Caro. She then takes over the vocal melody and lyrics. When we come up with new song ideas, we always discuss what each individual can imagine the song to be or what kind of story the song could tell. We generally don't stop at any topic: often it's just about having fun and partying, but we also include socially critical topics in our songs.
3. The band has achieved notable success internationally, including chart positions in Mexico and Spain. How do you feel about the global reception of your music?
Of course it makes you proud when the music you've created is heard and maybe even becomes a bit successful. For us, it's actually about reaching as many people as possible with our music. We live and love making music, and we see everything else that comes on top of that as a luxury and are very grateful for it.
4. Could you tell us more about the background and experiences of each band member, especially guitarist Chris Bones, who was once a pro-wrestler and manages a funeral home?
Chris Bones has always been accompanied by music and it has given him stability (e.g. during his brother's early drug-related death, the alcohol-related death of his father, etc.). His career as a pro-wrestler ran from 2007 - 2014, during which time he toured Europe quite a bit and had the opportunity to meet many big names in wrestling. He founded his funeral home in 2001, where he is confronted with new, sometimes psychologically very stressful situations every day. Songwriting and the band Twisted Rose are a very good balance here. He would love to be able to make a living from music, but that is very difficult to achieve these days (but he is working on it together with Twisted Rose). Chris Bones started playing guitar very late in life. Our singer Caro has already gained a lot of experience in various cover bands. Her unique voice and performance at live gigs have become a trademark of Twisted Rose. Our drummer Luggy (the youngest in Twisted Rose) has been a passionate drummer since childhood. Give him something to eat and a drum kit and he's happy :D

5. How has Chris Bones' work in the funeral home influenced the band's lyric-writing process, and do you find inspiration from unconventional sources?
Surprisingly, very few of the inspirations for our songs come from the area or influence of Chris Bones' funeral home :D Many of our songs are about exactly the opposite. Enjoy life, celebrate, have a good time with friends. Some influences for our songs also come from current events such as the war in Ukraine (Song: World Is Burning). In some songs we also process private experiences or strokes of fate (Crossing The Line, NOW).
6. Twisted Rose has performed at wrestling events, specifically "Extreme." How did the band's hard rock sound resonate with fans of this tough sport?
We were very nervous before appearing at the “Extreme” wrestling event. Sold out hall, very heated atmosphere and then us :D But we arrived there extremely well and had the audience in our pockets after the first song. That was a really cool gig.
7. What can you tell us about the band's connection to wrestling, and how has it shaped the band's identity or stage presence?
The connection to wrestling came through Chris Bones, who was a pro wrestler and also a promoter. So the appearance was almost a logical step. Actually, only the character Chris Bones was influenced by wrestling. His stage outfit, his make-up, his way of conducting interviews... all of these things benefited Chris Bones from his time in wrestling.
8. Being the opener for the well-known band "GraveDigger," how was that experience, and what impact did it have on Twisted Rose's career?
When we were asked if we would like to be the opener for GraveDigger, it was totally crazy. This was our first highly professional gig and we were extremely nervous. We stood on a huge stage for the first time and were able to enjoy “stage hands”, a real backstage area and everything that goes with it. The show went really well for us and helped get the Twisted Rose name out there.

9. How has the hometown of Giebelstadt influenced the band's music, and what role does the recording studio there play in shaping your sound?
In the end, our home base in Giebelstadt has a lot of influence on our creativity. We are very lucky that we have our own studio and a large rehearsal room in a commercial area there. That means: we can make music 24/7 whenever we want and that gives you the freedom to work freely.
10. As a band under contract with the label 7us / 7hard since 2020, what benefits and challenges have you encountered in the music industry?
Of course, working with a label like 7hard makes it easier to get "better" gigs, or you have the chance to get your music to a larger audience more quickly with the help of the label, but the work remains the same. With 7hard we have a really good label on our side that supports us a lot and is always at our side.
11. The energetic shows of Twisted Rose are known for making fans sweat and rock chicks escalate. Can you share some memorable moments or experiences from your live performances?
In the local area, the audience is usually very surprised to see a show like this. Apart from the way we act and present ourselves on stage (a lot of movement, a lot of action and also interaction with the audience), we use a lot of effects (confetti cannons, pyrotechnics and tons of equipment). Many people simply no longer make this effort. We believe that the audience deserves a "big show" and we work our asses off for it and also have the time of our lives. Many people think we're crazy because of this, but that's exactly what makes "The Eye Listens"
12. How do you balance paying homage to the classic rock sound of idols like AC/DC and Guns N' Roses while incorporating a modern twist into your music?
This is a difficult question that cannot be answered so easily. Of course the two bands mentioned are our absolute idols, but we don't copy them. We don't want that at all. We try to incorporate individual influences into our songs, but the bottom line is that the songs are Twisted Rose. If, which happens every now and then, someone says: "That sounds a bit like AC/DC", then that's a big compliment for us.
13. The band has been described as "The new KISS" by a US music magazine and as the "future of straight rock music" by the German magazine "Musix." How do these comparisons make you feel, and do they influence your approach to music?
Pure fear :D :D no seriously. These are two huge compliments that make us very happy, as they honor our work and encourage us in what we do. These two statements don't put any pressure on us because we concentrate on what we love and enjoy doing and that's rock n roll.

14. Can you provide some insights into the themes and messages that Twisted Rose explores in their lyrics?
I think it's better if we talk about the "more serious songs" :D As already said. Our songs are often about the beautiful things in life, partying and having fun. But we also have songs that deal with very serious topics. World Is Burning is about all the bad things in this world: war, pollution, as examples. The song was written (coincidentally) right at the start of the war in Ukraine. The song Crossing The Line is about looking back at an ended relationship and not realizing until too late that you had crossed a certain line and still wishing your ex-partner all the best. The song Wanted, for example, is about an oppressed woman (this woman stands for all people who experience a form of oppression) who finally finds the courage to defend herself. Especially in the songs with serious topics, a lot of our own experiences flow into them.
15. What are the future plans and goals for Twisted Rose, and how do you envision the band's evolution in the coming years?
We are currently back in the studio and recording the next album, which will be released in 2024. Here, at least we think, people will notice our musical development. It will be even rockier and more musically demanding. There are a few gigs coming up in the near future. Sometimes a few festival appearances and a short tour through Spain and Portugal (wherever you want us to play...we're coming!). We then have to make a selection of songs for the new album, for which we will then shoot the appropriate music videos. Overall, this will be a very exciting year for us. Our wish for the future is that we can continue to make music and continue to be so well received by people, because without the people out there who think Twisted Rose is cool, we would be nothing.

Twisted Rose - Rockband from Giebelstadt Würzburg | Twisted Rose - Band (twisted-rose.com)

Twisted Rose - We Can't Get Enough (Official Music Video) (youtube.com)

Twisted Rose (@twistedroseofficial) • Photos et vidéos Instagram

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Interview Just One Fix

In this exclusive interview, we dive into the creative process behind Just One Fix's upcoming EP, "Submit or Death." The band reflects on their evolution, live performances, and the impact of iconic collaborations, offering a glimpse into their unique sound and global resonance.

1. Congratulations on the upcoming release of your EP, 'Submit or Death.' Can you share some insights into the creative process and inspiration behind this new record?
Sure! We recorded with Dave Rhodes at his studio in Whitianga which is a beach town, we had a great time recording with Dave. Great location and he really makes you think differently about your songs. We wrote this EP over a few years and interupted by Covid, in terms inspiration Gods & Devils, the first single is based on a tenet of Denis Diderot ( French Philosipher) which is Man will never be free until the last King is strangled with the entrails of the last Priest.

2. With three full-length albums under your belt, how would you describe the evolution of Just One Fix's sound from your groove/thrash roots to the incorporation of death and doom metal elements?
I think the first album was straight ahead thrash and going back it was quite formulaic, our rhythm section changed for the 2nd record and there was more of a Lamb of God vibe bought by those guys and now with Ross on drums from a Death Metal background and with tastes changing things have got more progressive, you can hear the Doom/Death elements.

3. The band has had the opportunity to share the stage with iconic acts like Sepultura, Megadeth, Korn, and many more. How have these experiences influenced Just One Fix's musical journey and live performances?
It's great watching real Pro's do their job and we've learnt a lot aboput performance and preparation.

4. Your first single from the upcoming EP, 'Gods & Devils,' is set to release soon. What can fans expect from this track, and how does it represent the overall theme or direction of 'Submit or Death'?
It's about rejecting old thinking and control and I guess that's an over arching theme for the record. We don't need a Sky Daddy to give us a moral code, Religon is just a control tactic so it's about that.

5. Can you delve into the significance of the EP's title, 'Submit or Death,' and how it ties into the themes explored in the music?
It's better to die on your feet than live on your knees - that's an old saying and pretty much says everything about this record.

6. Just One Fix has been featured on various radio stations, TV, and compilation albums globally. How do you think your music resonates with audiences around the world, and what sets your sound apart from other metal bands?
Great question, I think we are equally inspired by the European and US Thrash scenes plus you add in Death metal bands like Entombed and Obituary as well as stuff like Danzing/Misfits - it's a great soup and has it's own flavour.

7. The band has been described as a "thrash metal god in New Zealand" by www.cultmongerszine.com. How do you feel about this recognition, and how has the local scene in New Zealand influenced your music?
Hahaha yeah what a quote! Loved that review. Subtract were a great band who are no longer together but they are still my favourite NZ band ever and I think the fact that they kind of defied description was important and we have taken some of that. Are we Groove metal, Thrash Metal, Death Metal - not one of those things but all of them to some extent.

8. You've played numerous live shows, building a reputation for crushing performances. What do you believe sets a Just One Fix live show apart, and how do you connect with your audience during performances?
You just have to pour your soul into shows - everything you have put it out there. I like to look people in the eye as we are playing and when I come off stage be completey fucked.

9. The promotional videos for your music play a significant role in reaching a broader audience. Can you discuss the creative process behind producing these videos and how they contribute to the overall storytelling of your music?
The Proxy God video was the brainchild of our old drummer but he really followed the lyrics to an extent but in a more literal sense. The artwork used in Gods & Devils was designed by Indium Design. They did a great job taking a Roman god statue and covering it with a Japanese devil mask - very clever.

10. How has the band's dynamic changed or evolved over the years, both in terms of musical collaboration and personal growth within the group?

Sharne and I (Riccardo vocalist) have been in the band together since 2003 I think and Ant our bass player was with use til 2007 but then left and came back into the fold around 2015 so we kind of have a intuition about what the others expect when writing and Ross who has been with us for 3 years or so clicked really quickly.

11. The quote from www.stefmetal.com mentions the crowd's enthusiastic response to your shows. How does the energy of the audience impact your performance, and do you have any memorable moments from live shows that stand out?
Probably opening for Hellyeah in 2007, the place was packed and inbetween each song I would start a chant of "Hellyeah" and the crowd loved it - it was fucking loud! As a support band you have to think about your job, get the crowd up for the main band while still delivering your best show. The Hellyeah boys appreciated it and we ended up partying with them til sun up.

12. In the current metal landscape, what challenges and opportunities do you see for emerging bands like Just One Fix, and how do you navigate them?

Touring is more expensive and being in New Zealand we are about as far away from the rest of the world as we can be so that is tough so we have explored live online shows and things like that. Covid taught us that was doable so it was good for something!

13. As a band with a strong live presence, how have you adapted to changes in the music industry, especially considering the impact of technology on both recording and live performances?

We haven't really, no backing tracks, minimal effects outside of pedal boards - we are old school in that way - what you hear me scream/roar/sing on stage is all me.

14. Looking back at your musical journey, what are some pivotal moments or decisions that have shaped Just One Fix into the band it is today?

 I hate to say it but kicking out our old bass player who at the time was battling a few demons propelled us forward and allowed us to tighten up, write and record.

15. With the new EP on the horizon, what are your goals and aspirations for the future of Just One Fix, both musically and in terms of reaching a wider audience?

We are already writing for the next EP but we want to play to as many people as possible and have as many as possible have Just One Fix t shirts in their closet and in their ears.

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